#and all of them end with the main character choosing. so is she fucking all of them or isn't she!!!

[augustheart]

i keep getting shown ads for books that are marketed as "why choose" romances which i have gathered means the main character (always a woman in these ads) has sex with all of the potential love interests (always men in these ads) but every single one is also like "you won't believe who she actually chooses in the end! 😜" so i feel like i'm having some kind of fundamental misunderstanding of what these types of romances are. do they choose or don't they

[felidthing]

i just had a very long complicated dream about some very ooc homestuck kids. jade might be rooted in some form of fanon at least but i dunno

[musings-of-a-rose]

Hi, just wanted to say that I love your work! Especially with Benny and Frankie so much that I have an idea for Benny! Female reader (not picky about the name) meets Benny at a bar days after she catches her now ex-boyfriend cheating on her and they hook up at his place, but she leaves before he wakes up. She later finds out she's pregnant but doesn't tell anyone who the father is. Months later while still pregnant, her friends convince her to come with them to see a MMA fight and low and behold Benny is there fighting. He doesn't see her at first, but when the fight ends (which he wins) he sees her and she leaves abruptly while hiding her stomach since she's wearing baggy clothing. However, Benny manages to catch up to her, where she reveals the news to him. They then talk some more at her place where he reveals to her that she's been on his mind ever since that night and begins the start of something new.

One Night Can Change Everything

Pairing: Benny Miller x f!reader 

Word Count: 6400+

Rating: Mature - 18+ ONLY!

Warnings: Just like ao3, “creator chooses not to use warnings.” If you click Keep Reading, that means you agree that you’re the age to handle mature themes. Also by clicking Keep Reading, you understand warnings may not be complete in order to avoid spoilers for the story. 

Notes: Rea is a general nickname for a “reader” character that @mermaidxatxheart came up with and I think that’s genius! This is not beta’d.

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**Reader is not described

Main Masterlist

Benny Miller Masterlist

“Ok, that’s it. I’m making you get out of this bed now,” My best friend Sage declares as she towers over my bed, where I have lived for the past several days. Ever since I caught my boyfriend sleeping with my co-worker. Co-workerS.

Ex-boyfriend now, I suppose. 

I groan, attempting to roll over but Sage grabs my shoulder and flips me back over, digging her fingers lovingly into my skin. “I love you Rea, I do. But you have to get out of this bed. He’s not worth it.”

She’s right. I know she is. But we had been dating for nearly 2 years, mostly. It was on and off, but we had talked about marriage, kids, all of it. I thought he would be my forever but apparently, I was his “for now”. 

Fuck this asshole.

I sit up quickly, nearly colliding with Sage, and yank the covers off me, determination flooding my veins, choking out the hurt. For now, at least. 

“Alright, alright. I’m up.”

Sage points to the bathroom. “First, please take a shower. Then we’re going to Mick’s.” 

I’d almost forgotten about Mick’s, Sage’s favorite bar. Probably because it’s full of rugged, blue-collar men and Sage definitely has a type. Not that I can blame her. 

“Ok, but I’m just going for you. And science.”

Sage snorts. “Sure, Rea. Sure. Don’t forget to shave.”

—--------------

An hour later and I’m walking into Mick’s front door, loud music vibrating through me. It’s busy, but I’ve seen it busier and we manage to snag a couple of stools at the bar. Within 10 minutes, Sage is led to the dance floor by some burly lumberjack, complete with flannel shirt and all. I throw my hand up in the air in a “what about me” motion as she glances behind her, shrugging and gesturing around the room before focusing all of her attention on the flannel clad bear of a man in front of her, who is surprisingly agile. I turn back to the bar, taking my hand off the top of my glass, tossing the last of the liquid down my throat, coughing slightly at the burn. I set my glass down, my finger trailing along the rim, wondering if I should call an Uber or wait for my friend, when a man slides in next to me, flagging down the bartender. 

“5 beers, please.” His voice has a slight drawl to it, his tone warming me all over. 

“Seems a lot for one man.” Where the hell did that courage come from?

The man, clad in a button up light blue shirt with the sleeves rolled up that opens to reveal a camo print shirt, turns his head to me and for what feels like days, I’m rendered speechless. This man is gorgeous - a sloping nose,  sandy blonde hair that flips out from behind his backward hat, some patchy facial hair, and the most intensely blue eyes I’ve ever seen. They glance quickly down my body and back up, a smile tugging at the corner of his mouth. 

“Ain’t all for me, sweetheart. Got a table full of impatient assholes waiting for a beer.”

I cock my head to the side. “You lose a bet or something?”

The man tips his head back and laughs, his shoulders shaking with it and I feel my body tingle. I could listen to that sound forever. 

“How the hell did you know that?” His smile is wide, all of his attention on me, his eyebrows raised in question.

I shrug. “I’d send the guy who lost a bet to get the first round, at least.”

He chuckles. “Smart girl…I’m Ben. Friends call me Benny.”

I tell him my name. “But my friends call me Rea.”

“I like that. Nice to meet you, Rea.” He sticks his hand out to shake mine, but before I can, 4 beers slide in front of him and he glances down at them, his shoulders dropping ever so slightly. 

Finding courage from somewhere, I lay my hand on his forearm and have to resist squeezing. “You have to go back so soon?”

He smiles again, the skin around his eyes crinkling with it. “Nah, sweetheart. I’ll be right back. Promise me you’ll wait right here?” There go the eyebrows again, pulling together and making him look like a puppy. Fuck I am so screwed.

“I’ll be waiting.”

He hesitates for a brief second before taking my hand and kissing the back of it. “Now that’s something to make a man move fast.” He winks, grabs the four beers, and heads off into the crowd, making his way towards the back of the room. Hate to see him leave, but damn I’m loving watching him go, his 6’3 frame easily visible over the crowd. He drops off the beers somewhere at the back of the room, turning quickly to push his way back through the crowd, his eyes locking on mine and giving me a sly smile. 

“You waited.” He slides back into the barstool next to me as I pull my leg from it, the universal gesture for this is saved.

Fuck his eyes are so blue. “You came back.”

A smile plays at the corner of his lips. “Did you think I wouldn’t?”

I look down for a moment, my mind going back to my ex and all of his cheating, making me feel less than. Benny seems to sense something, his large hand hesitating a moment before he gently squeezes my arm. “You ok?”

I shake my head, my eyes locking back on his blues. “Yeah. I’m great now you’re here.”

Benny is easy to talk to, fun, and flirty. He’s in Delta Force, or was, with his actual brother, one of the men that he’d owed a beer to earlier. We talk about everything and anything, Benny eventually pulling me to the dance floor and whisking me about, sometimes dancing and other times being silly and smiling when I laugh. After several songs, we need a break, managing to snag a couple of stools at the bar, sipping on a couple of drinks. 

“So you live local?” He asks me, taking another swig from his beer.

I nod. “Yeah. I don’t typically come here, but my friend Sage dragged me out of the house.”

“Well remind me to thank her. She here?”

“Actually,” I turn and look out at the crowd for several moments, finally seeing her in the back corner, making out with Flannel Bear Man. I chuckle. “Yeah, she’s a little occupied.”

Benny chuckles, taking another swig of his beer, his free hand hesitating a moment before landing on my bare thigh, just above my knee. “Well I can keep you company.” 

His warm hand against my skin has my brain short-circuiting. I can’t think of what to say so I return his question. “Are you local?”

He nods, his thumb slowly rubbing circles across my skin. “Yeah. But some water main or somethin’ broke in my building. They put us all up in hotels until they fix it. Burst a few pipes.”

“Oh no! Is your stuff ok?” I place my hand over his on my leg, giving it a little squeeze and move it further up my thigh, heat immediately rushing to an area not far from where his hand is. 

He clears his throat. “Uh, y-yeah. Well, I had some water damage but didn’t lose anythin’ big. They just have to put down new floors.”

The music volume suddenly goes up by several volumes, turning the place into a mini club. Benny winces and I can see that it triggers him, the loud sounds and people becoming a little much. I lean in closer to his ear, gently rubbing circles into the back of his hand. 

“It’s too fucking loud! Wanna get out of here?” I pull my head back to look at him, our faces only an inch apart. His eyes flit between mine, briefly pausing on my lips.

“If you’re sure, hell yeah.”

I smile and he returns it before I lean back into his ear. “Let me flag my friend down and let her know. Stay right here so I don’t lose you.”

He turns his head, his nose brushing against my cheek. “I’ll be right here.” Hating that I have to move, I gently place his hand on his thigh and give him a wink before turning, scanning the corner where I had last seen Sage. She’s still there, Flannel Bear Man sucking on her neck. I force my way through the crowd and eventually emerge in front of her. Sage’s gaze takes a moment to settle on me.

“Rea! Where’ve you been?” She yells above the music.

I gesture to where I came from. “At the bar. Waiting for you.”

She gasps as Flannel Bear Man starts to bite her skin. “S-sorry, Rea. I-”

I cut her off, not wanting to intrude any longer. “No worries. I’m getting out of here. With a guy. I’ll get an Uber.”

Sage reaches out and grips my wrist, breaking the suction from Flannel Man who only seems to just realize I’m standing here. 

“A guy? You found someone? Do you need condoms?”

“Sage! I have to go!”

“Wait!” She pulls her clutch from somewhere and digs around in it, quickly sliding a few foiled square packages in my hand. “ Remember, it’s just a rebound. Don’t get attached. Have fun and be safe!”

I can’t help the heat in my cheeks, but I tuck the condoms in my bag. “Thanks. I’ll ping you my location.”

Sage releases my wrist and smiles at me before I turn back to Benny, shoving my way through more bodies on the dance floor. I emerge on the other side and see him still sitting where I left him, hat turned backward and looking so fucking hot. 

This is all so unlike me, but I like Benny. Sage’s words echo through my head “it’s just a rebound. Have some fun.”

I walk up to Benny and he turns his head, standing and giving me a wide smile. “Ready to go, sweetheart?”

I nod and he offers me his hand, which I happily accept, his touch warming me all over as he guides us through the crowd and out the front door, the volume immediately decreasing the moment the door closes behind us. 

“Now I can hear myself think!” Benny chuckles as he pulls my hand to his lips, lightly brushing them against my knuckles, his puppy dog eyes on mine. “Did you drive?

“Hhhm? Oh, uh no. Uber.”

Benny nods. “I have my jeep. I can drive us somewhere? Unless you’d feel safer using Uber?”

I study him for a moment, deciding that I trust him. “I love Jeeps.”

He smiles, his grip on my hand tightening slightly as he directs me to the parking lot, chatting a little too fast about his Jeep, like he’s nervous. He helps me into the passenger side, sliding across the hood to make it to the driver’s side quicker, smiling at my laugh. He starts the Jeep and gets the ac started before turning to me.

“Where to?”

It’s just a rebound. Have fun. “I’d love to see your hotel.”

His eyebrows raise, that same smile tugging at the corner of his lips. “Yeah? You don’t have to. I mean, we could just get a burger or somethin’.”

I look down at my hands in my lap. Did I misread the signals? He was definitely coming on to me, right? I wasn’t reading into that? Before I can spiral further, Benny puts his hand over mine. “Hey, look. I like you and think you’re fucking hot as hell and would love to take you to my room to uh, show you the room. But I don’t want to presume or make you feel obligated or anything.”

I would choose a fucking gentlemen for a rebound. Fuck. I close my hand over his and meet his eyes. “Thanks, Benny. I don’t want to push you or presume either.”

He chuckles once, removing his hand to put his Jeep in reverse and then back into drive. “Sweetheart, you can take advantage of me any day.”

That breaks the awkwardness and has us laughing, falling back into conversation easily as Benny navigates through traffic. Gently, I lay his hand on my bare thigh again, wrapping my hand over his. He’s talking about something, I honestly can’t focus because he’s started to move, his fingers tracing slow lines across my skin as his hand moves further up my leg, getting closer to where I desperately want him to be. We hit a red light and the Jeep goes quiet, Benny turning to look at me as he slides his hand further up, his pinkie finger just barely tracing the crease of my thigh, heat and wet pooling just beyond his touch. My lips part and I let out a gasp of air, my eyes finding his. 

There’s a moment of hesitation but then I grip his shirt, pulling him towards me, our lips crashing together. He nips at my bottom lip and I gasp, Benny taking full advantage to slide his tongue into my open mouth, a small moan escaping me. His free hand leaves the steering wheel to grip the back of my head, holding me to him as he explores my mouth. The car behind us honks and we jump apart, the light having already turned green. Benny sticks his hand up to apologize to the car behind us, driving on, but immediately places his hand back on me, this time, his pinkie grazes up my panties and I squirm a little in my seat, not used to this much attention. He stills his movements.

“Is it too much?” He’s actually concerned.

“More like, not enough.”

Benny makes it to his hotel in record time.

Heated touches and kisses down the hallway has Benny dropping his room key a few times. As he tries to jam it into the lock, I slide my hands around him from behind, moving up his stomach from under his shirt and fuck he has a nice body, my hands moving lightly over his toned chest. He finally jams the key into the lock and flings the door open, tossing his keys on top of the dresser. He spins back around to face me, his eyes blown wide and dark with lust. 

He swallows hard. “Are you…are you sure?”

I step close to Benny, gently take his wrist and turn his hand palm up. One hand still holding his, I open my bag and fish out one of the foil squares, and place the condom in Benny’s hand. He glances down at it before looking back at me, a smirk playing at the corner of his lips.

“Rea, did you get a condom from your friend?”

I can feel the heat blooming in my cheeks. “No! I mean, technically yes but she-”

He cuts me off with his lips, one hand wrapped around my head and the other grips my hips, fingers digging into my skin as he pulls me flush against him. I can feel him hard beneath his jeans and I moan into his kiss, pressing myself against him so I can try to relieve some of the rapidly increasing hear between my thighs. He moves us and I feel the bed hit the back of my knees, but he holds me tighter before breaking the kiss. Both of us rip the shirts from our bodies, my bra quickly following. I reach for my pants but he grabs my wrists and stills them, his blue eys falling to my chest. He gently cups a boob and lightly pinches the nipple and I gasp, the small movement shooting straight between my legs. 

Then Benny sinks to his knees, eye level with my pants. He pops open the button on my jeans, sliding them down my legs where I help him kick them off. His large fingers trace the outline of my panties, the heat pooling there as I gasp at his touch. He hooks his fingers into them and slides them down my legs too, his eyes locked on the space between my thighs. 

“Fuck you’re beautiful,” he half whispers. A half chuckle escapes me before it turns into a moan as he slides his nose up my slit, bumping into my clit. He growls, using my hips to push me down on the bed, tossing my legs over his shoulders like it was nothing. 

Which I have no time to think about because his mouth is on me, his hands on my inner thighs, pressing them further apart, widening his canvas. His tongue explores me, seeking all the areas that have me writhing under his firm grip. He somehow finds spots that I didn’t even know existed, sucking lightly, lapping, the coil of pleasure quickly tightening until a sound erupts from me, somewhere between a chant and a moan, my fingers gripping his hair to keep him in the same spot as he prolongs my release. 

My head is in a blissful haze, but I manage a whine as he pulls away from me, taking his pants off when he does. I hear the sound of the condom opening and I watch him as he rolls the condom on himself. I lean up on my elbows to see better, because he’s gorgeous, not girthy but longer, and definitely not anywhere near a size I’ve had in me. 

“Don’t worry, sweetheart. I’ll take my time.” I blink, looking up at his face and see that there’s a hint of concern there, like he wants to make sure I’m comfortable.

I scoot further up on the bed to give him more space. “Don’t worry about me. I can take you.”

His eyes darken and he grabs my ankle, yanking me back down towards the end of the bed. I squeal, my body heating up again as he lowers himself between my legs. He pauses, his eyes bright as he glances between my own. 

“You’re so beautiful,” there’s that almost whisper voice again, his eyebrows pulling together so he looks like a puppy.

“So are you, Benny.” We take each other in for a few more moments, my body about to burst with all of the tension and hormones racing through it. “Now please fuck me, now.” I know I’m begging, but I don’t care. 

And neither does Benny, apparently, as he smirks. “Yes ma’am.”

He slowly presses his hips forward and I let out a moan as he stretches me, pushing further and further in. I’m not sure how, but he bottoms out, dropping his head to my chest, breathing heavy for a moment. 

“Fuck, you feel so good. Gimme a sec so I don’t blow my load like a teenager.”

I manage some sort of confirmation sound, but then a moment later, he slowly pulls out and presses back in, repeating this a few times so I can adjust to his length. It’s driving me mad and I writhe under him, feeling every inch of him as he slowly moves in and out of me. He pulls out, his hips pausing as he looks down at me and it’s like time stops. Just for a moment. Then his lips crash to mine as he pushes forward quickly, sliding into me in one fast movement and I cry out, my hands gripping his biceps, nails digging into his skin as his hips set a fast pace, his direction and speed adjusting to my moans of pleasure. Every time he pushes in, he hits a spot somewhere at the back of me, a place no one has touched, and it sends sparks through my vision, my entire body like a livewire as he pushes me towards the edge.

“Fuck, Benny, I’m gonna-” my body ignites, pleasure radiating out from my cunt, his name tumbling from my lips in praise, begging him to keep going, or stop, or do it again. I have no idea, my head so engulfed in pleasure. 

“Fuck!” He yells, pressing into me one last time before he grunts, little pants and gasps tumbling from him. His head falls to my chest as he comes down. 

We stay like that for several moments, trying to catch our breath. Eventually, Benny pulls out, tossing the condom in the trash can by the bed before rolling onto his back next to me.

“What’s your third favorite dinosaur?”

I laugh, my entire body moving with it as Benny joins in, tears running down our cheeks as my movements turn me towards him. 

“I don’t think I’ve ever been asked that question, let alone just after sex.”

Benny shrugs, smiling. “Had to break the tension and awkwardness somehow.” 

“Well that definitely works!”

His face grows serious. “You didn’t answer the question.”

After that laughing fit, I think on it a moment. “Pterodactyl. Because they can fly.”

Benny nods. “Interesting. What’s your favorite then?”

“Nope. I’m saving that answer for after round 2.”

His eyes grow dark almost instantly. “Round 2? Like, tonight?”

“Well, my friend gave me a whole row of condoms and I don’t want to take any home.”

—----

A few hours later, I’m laying in Benny’s bed, thoroughly fucked, Benny sprawled across the bed on his stomach, lightly snoring. He’s so fucking beautiful. But then Sage’s words echo in my head “It’s just a rebound. Have fun and bounce.” I sigh, unsure of what to do. I actually do like Benny, but is that just because he’s the first guy to actually pay attention to me in a long while? Self-doubt seeps in, my ex’s hurtful words and actions taking away the blissful feeling I’d had moments before. I shake my head, telling myself that if any of it was true, I wouldn’t be in a gorgeous man’s bed, a man who just spent the last few hours pulling every spark of pleasure possible from me. 

I quietly stand, gathering up my clothes. I get them on and lace up my boots, trying not to wake Benny. It’s better if I leave before he wakes up. Rebounds don’t work out anyway, so why prolong the inevitable? 

I turn to head towards the door and see the hotel pad of paper and pen next to the phone on the dresser. I stare at it a moment before grabbing the pen, scrawling a quick “Thank You” with a heart at the end. I slide it under his keys and walk to the door, glancing back at the sleeping form of Benny, the man who just restored my confidence. I close it quietly behind me, making sure the lock clicks into place and request an Uber to take me home. 

—----

Over the next few weeks, I try to get Benny out of my head. I try to stop thinking about him or talking about him. I know he’s a rebound, and those relationships don’t work out, as Sage has reminded me more than once. And I’m not sure I’m ready for a new relationship. I think. But talking to him had been so easy, effortless. Like we had been friends since forever. In a moment of desperation, I looked up the hotel on my Uber app and called it, knowing they wouldn’t give me any information about Benny. I can’t blame them. I don’t even know his last name. 

—----

2 lines. The pink lines emerge bright against the white of the testing stick, showing me the same result as the other 4 pregnancy tests I’d taken. My stomach lurches again and I make it to the toilet just in time. I close the lid and flush, wiping my mouth with a washcloth as I stare at my reflection. How the fuck did this happen? We’d used a condom every time, and he used them correctly. It must have been a faulty condom. Fuck, Benny. How am I going to tell him? No really, how? I don’t even know his last name and now I’m having his child. A knock at the door pulls me from my spiral.

“Rea?”

I sniff and wipe my face again. “Pregnant.”

She’s silent for just a beat. “Can I come in?”

I make a noise in approval and she opens the door, heads directly for me and pulls me into a hug where I let myself lose it. Tears streaming down my face, dry heaving breaths, all of it. It takes me a while to calm down enough to talk. Sage wipes my face with a cool cloth and it helps to soothe me a bit more. 

“Are you going to tell him?”

I scoff. “How, Sage?”

She shrugs. “I don’t know. Call the hotel? They have to have his info.”

I shake my head. “They won’t give it to me. Especially since I don’t know his last name.”

Sage cocks her head to the side. “How do you know?”

“Oh. I uh, I may have called a few weeks ago to uh try and uh…find. Him.”

She opens her mouth and then closes it. “That doesn’t really matter now. Do you know what you want to do?”

There’s so much I don’t know. I don’t know Benny’s last name. I don’t know where he lives, just that it’s local. I don’t know what he’d even say. I don’t know how this happened. I don’t know a lot. But there’s one thing that I did know right away.

“I’m keeping the baby.”

Sage takes a deep breath and nods once. “I can’t wait to be an auntie.”

—----

“Come on, Rea! You need to get out.”

I sigh, rubbing the side of my belly. “I’m 6 months pregnant, Sage. I don’t belong at an MMA fight.”

Sage copies my sigh and places her hand over mine. “You’ve been cooped up in your room for weeks. Just…come out to get some fresh air?”

“By sitting in a crowded auditorium surrounded by drunks?”

Sage shrugs. “I’m sure they won’t be drunk drunk. Besides, Henry has a special section all roped off just for us.” 

Henry is super sweet. The burly bear sized, flannel clad man from Mick’s had fit right into our friendship, even becoming a sort of surrogate brother for me. And it’s clear to me that he loves Sage with everything he is just by the way he looks at her.

I sigh again, shrugging in a defeated manner. Sage squeals and grips my arm. “Thank you! Oh, you’ll have fun! Just wait and see!”

So now I find myself in a crowded auditorium, surrounded by people drinking. Well, ok the crowd isn’t bad around us. Sage was right - Henry had literally roped off an entire section just for us and glared at anyone who tried to grumble about it. He was really into MMA and had a couple of cousins that were fighting so he always had tickets to some match that was happening. Are they called matches? I don’t know. 

Whatever they’re called, we’re a few in, Henry leaning over to tell us about each of the fighters as they’re announced. These matches are pretty brutal - I didn’t realize just how violent they can get, even with rules in place. The last match ends and the guy with the mop comes back out, cleaning away the blood that came from the last guy losing several teeth with a blow. Once cleaned, the microphone squeaks back on to announce the next fighters.

“From Red Feather Lakes, Colorado, standing 6’3, weighing in at 195 pounds, I give you BEN MILLER!”

A familiar memory scratches at the back of my head as the crowd screams and the doors open from the locker rooms somewhere in the throngs of people now on their feet. Henry leans in to yell in my ear.

“This guy is great! He’s kicked my cousin’s asses a few times! He…”

Whatever he said after fades into the background, which has dimmed to a loud hum, as Ben Miller struts into the ring, tossing his shirt to the side, revealing a very familiar tattoo and his face finally comes into my view.

Benny. 

My stomach leaps into my throat, my heart hammering through my chest as I stare down at the man who I could never shake from my mind, even before I was having his child. Which he doesn’t know about. 

A bell dings and Benny takes a few steps towards his opponent, who immediately clocks him in his jaw, Benny’s head flying backwards. The man manages to get a couple more hits in, Benny almost absorbing all of the hits. But then the man hesitates and Benny takes that moment to attack, winding his way around the ring, jabbing at his opponent in swift, concise, planned motions. The man only stays up for a few more seconds before crumbling to the ground and giving in. The crowd goes wild as the ref holds Benny’s arm in the air, blood trickling down from his nose, a giant smile on his face. My stomach lurches and I quickly stand, yelling something about the bathroom to Sage as I grab my jacket and run for the doors, the room suddenly too small and loud. I shove open the arena’s double doors and stumble out into the nearly empty hallway. The doors close behind me and I pause a moment, taking a few deep breaths to calm myself. But then the doors open behind me again and I attempt to stand up right.

“Rea?”

Benny’s voice echoes down the hallway and through me, my insides simultaneously tightening with nerves but also excited and swooning at his fucking calming tone. My back is to him but I don’t move. He takes a step closer.

“Rea? Is that you?”

Fuck. This isn’t how I would want him to find out. But how would he find out? It’s not like I could find him. I didn’t even know his last name. I don’t-

“Are you ok?”

His voice is closer now, only a few steps behind me. I swallow hard, willing myself to hold it together as I turn to face him, keeping my jacket covering my belly. His bright blue eyes immediately find mine, a smile quicking spreading across his beautiful face. He’s still shirtless and I have to focus to keep my eyes on his face.

“Rea! It is you! I thought I saw your face in the crowd! Did you see me fight?”

I manage a small smile. “Y-yeah. I did. Congrats.”

He shrugs. “Thanks. That guy was easy but when I saw you, I thought maybe he’d hit my head harder than I thought. What…I mean uh, how are you?”

I sigh, my small smile dropping. “I…I have to tell you something.”

His expression turns serious. “Ok. But if it’s about me not calling you, you sort of left me without a last name or number.” He chuckles but stops when I don’t react. 

I hold his gaze a moment longer before letting my jacket fall to the side, exposing my belly under my form fitting black dress. His eyes immediately fall to my belly, his head turning to the side as he takes it in. I can see the moment it clicks, only a second or 2 after I moved my jacket, his eyes widening as his brain works double time to do the math. He points to himself.

“Is that…am I…the dad?”

I nod, rubbing my hand along the side of my belly where the baby is currently moving. “Yes.” I wait for the yell or scoff of disbelief, storming off, telling me I won’t get anything. All of what I had anticipated. But when I look up at him I see tears shining in his bright blues.

“You’re not fuckin’ with me?” His eyebrows pinch together, enhancing the shine from his tears and I shake my head.

“No. You’re the only one I’ve been with since my ex.”

His eyes shift down to my belly again and his hands start to reach out, but then he stops, looking back up at me. “May I?”

I give him a small smile and nod. “Yeah.”

Benny drops to his knees in front of me, placing each of his large hands on either side of my belly, rubbing small circles into my skin. I take his hand and move it, placing it right over where I’d just felt movement. 

“He was just kicking over here.”

His eyes shoot up to mine. “A boy? I’m gonna have a son?”

Fuck how can his eyebrows do that? “Yeah. A son.”

And the tears start to fall, quietly streaking down his cheeks as he laughs, trying to dab at them with the hand I hadn’t just moved. “Hey, little man. It’s me. Your dad.” A hard kick lands right in Benny’s hand and he whoops, rubbing the spot with his thumb. “You got your old man’s feet!” He continues to talk to my belly in the middle of the hallway, not caring if anyone sees him. His face is animated and lit up, despite the dried blood caked under his nose and for a second, I can see an entire future laid out before us. A wedding, a house, dancing together, maybe more kids. The love. It’s only when I snap out of this fairytale vision that I realize I was smoothing back his hair. I yank my hands back and drop them to my sides.

“Shit I’m sorry. I didn’t mean to-”

He glances up at me. “Nah it’s ok. Actually, it felt good.” He watches me for a moment before his expression hardens. “Ok I need to get off this floor.”

He waves away my offer of a helping hand, gesturing towards my belly as he groans, standing to his full height before stretching out his legs. “I’m gettin’ too old to be kneeling on hard ass floors.”

We’re quiet for several moments, each of us just watching the other. 

“Why did you leave without sayin’ anything?”

I take a deep breath. “Benny, I…I’m sorry. I thought about you after that night. A lot. My friend had told me to just make it a rebound, to get my ex out of my head. Which it did, but what I didn’t expect was..well..you. I liked, well…like you a lot. You make me laugh, have some amazing stories, you’re funny, and hot as hell. But you also make me feel seen and heard. Like I wasn’t just there for convenience, which is ironic considering how we met, I realize that. I thought about trying to find you but the hotel wouldn’t tell me anything and I didn’t have anything to go by. And then I found out I was pregnant and I feel so guilty for not t- telling y- you, but I di-didn’t know h-how. I’m so s-s-sorry!” I can’t fight the pregnancy hormones anymore and the tears come, streaming down my face as I try to turn away, looking down and wiping furiously at my face. But then he’s there, pulling me towards him as best he can, his hand cradling the back of my head. 

“Hey, it’s ok. I never did tell you my last name or ask for your number neither. I could’ve but I didn’t.” My crying slows and he pulls back just enough to look down at me, wiping away a tear. “And I’ve regretted it ever since. I haven’t stopped thinkin’ about you either, Rea. But I really had no way of finding you. But now that we’ve found each other again, can I have your number? I’d really like to take you to dinner.”

I let out a shaky chuckle. “It’s ok, Benny. You don’t have to do that.”

He cocks his head. “Do…what?”

“Take me to dinner. Listen, you can be as involved as you want. I won’t hold you to anything. I just wanted you to know. But you don’t have to-”

“No. I’m not asking you out because you’re pregnant. I’m asking you out because I’ve wanted to for months and regretted it every day that I didn’t.”

“Benny, really. It’s ok.”

“No, I- will you wait right here a moment?”

I nod and he places his hand on my belly once more, his son giving him another thump before he practically runs back through the double doors. Once they close, I walk over to the wall and lean my back against it, my emotions running through me. Is he telling the truth? Were we both just fucking idiots? That’s an obvious yes. But still, I don’t want him to feel like he owes me. It would be nice to hang with him again, though. No, Rea. Don’t make him feel forced. The double doors fly open and Benny comes running up to me, his wallet in his hand. 

“I don’t need money, Ben-”

He shakes his head. “No. Well I mean if you need it, I’ll gladly give it but that’s not…here.” He slides out a small slip of paper from behind his driver’s license and unfolds it, handing it to me. 

It’s the thank you note I scribbled to him and left in the hotel.

Tears well in my eyes again. “You..you kept this?” 

His eyes sparkle as they look at me. “Hell yeah I did. I told you, I couldn’t stop thinkin’ about you. But I had no way of findin’ you. I went to the bar every night hoping to see you walk in. But I never did.”

“I got too busy with work and then..” I gesture down to my belly and he laughs, placing a hand on my stomach again.

“Yeah I can’t blame you for not wanting to be in a bar. Especially your first trimester.”

My eyebrows raise. “What do you know about trimesters?”

“My sister was a hot fuckin’ mess during hers. Sick all the time, emotional, all of it. She felt bad about it too no matter how much we told her not to worry. My niece is 5 now and has the attitude to match.” He chuckles. “I can’t wait to meet this little guy..my little guy. Ours? Fuck this is hard to say.”

“Either way, I’m just glad you can say it.” I clutch the paper in my hand for a moment before handing it back to him. 

“So when’s that dinner?”

We’re married a year later. 

---------------------------------

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[delzinrowe]

Got amy headcanons about being in a secret relationship with jjk? I feel like they'd all have separate reasons for keeping everything down low

For the sake of my sanity i'm not doing all of jjk like in my hc posts I hope you're not mad at me for that

A/N: I only choose a few ones, if you want someone specific I haven't picked just send me another ask and I'll do my best. But these are the characters I feel the most and feel I can portray well. Includes: Yuji, Megumi, Takuma ☆ Choso, Gojo, Geto, Nanami, Yaga

Yuji just kind of accidentally kept it a secret. With Nobara around she talks a lot, and Yuji listens, he doesn't interrupt his friends. He was going to tell them about you two eventually, but whenever he wanted to tell them something came up, mostly missions. And after a while it slipped his mind that he hasn't told anyone. He's a kind and good guy, but he's not pushy when it comes to his own daily life. When he has good news he likes to share it with friends, but after a while of trying and failing he forgot about it.

Megumi is and has always been a more private and reserved person. He takes a while to warm up with others. So, once it got serious with you two he asked if you're okay with keeping it more private. Or rather, he implied it, you already knew it was gonna be more private. He doesn't like his private business being the talk of the town. After a while he would confide into Yuji, with the promise of him not telling anyone. Nobara? Hell no, out of the question. Megumi's main goal is to keep Gojo in the dark because the poor boy would never hear the end of it if Gojo ever found out he has a partner.

Takuma would only tell it to Nanami. He might have the feeling of shouting it from the rooftops that the person he likes also likes him back. But he would much rather just confide in his mentor. Which he does. And thanks to Nanami's private nature he doesn't tell anyone else, but he is proud and happy for Takuma. That's enough for our local skaterboy. Hearing that his mentor is happy that he's happy is all he needs, therefore no one else really needs to know about it. After a while he would lose that mindset and it would be replaced with "fuck it, I wanna show you off" which is what he does. He'd have his arm around you and walk around the entire school grounds and all over Tokyo just yelling "That's my partner!" "Watch out, happy boyfriend coming through." He's the epitome of golden retriever energy.

Choso doesn't really know the etiquette of dating, his worst fear is to do something wrong and lose you. He isn't sure if being in a relationship is something you keep private or parade around. He does see couples on the street and on tv, but it's still new to him. He's only had a human body for a few short months. The thought to introduce you to his sorcerer friends doesn't even really occur to him until you ask, which prompts a conversation between you where he asks you all sorts of questions on this matter. He eventually settles for only telling his brother Yuji as he's concered for your safety. He is a curse who murdered people after all.

Gojo keeps your relationship a secret from the very first moment, even if you wouldn't have expected it from him. Being known as the strongest came with a big target on his back, he's had bounties on his head since he was a toddler. Even if he can easily take care of any threat, he would do anything to keep you safe and out of danger. The less people know about his sole weakness the better. He does apologise and spoil you to make up for it, but he cannot and will not risk putting you in harms way. If you're involved his judgement isn't as clear as it should be.

Geto could potentially have two reasons, depending on if he stayed with jujutsu high or defected. If he stayed the most prominent reason to keep your relationship a secret would be Gojo. His best friend has his nose in everything, but it's also partly since he's known as one of the strongest and you prove a weakness, in that sense he's similar to Gojo. Now... if he defected, then it's solely to keep up appearances as cult leader. Since he's not stupid he knows that a lot of people only join his cult because of his looks, and he fears that once it's known he's in a steady relationship that his cult would lose a lot of members.

Nanami is not a secretive person, but he is a more private one. He doesn't like sharing his business everywhere. What's going on in his private life will remain private. He does not like to mix personal with work, therefore he would keep your relationship quiet because it simply has no place in his work life. Especially since coming home to you is his happy place that brings him peace, he wouldn't taint that by mixing personal and work.

Yaga is an authority figure. As principal he holds a certain status, while he doesn't care much for the authority he holds, he does need to be respected. It's therefor a mix between Gojo and Nanami, where he doesn't want to mix personal too much with work, but also doesn't wanna put a target on your back. Considering he is also the only one who knows how to make cursed dolls he is already the target of some people. Dragging you into all of this would only be harmful. The only one who really knows about you two is Panda, obviously.

[beescake]

PLEASE PLEASE MEGADUMP THE ARASOL!!! PLEAAASEE MR BEESCAKE I AM ON MY KNEES BEGGING YOU

HFHGHD GLADLY aaa i’ve been adding notes to it here and there for months but just hesitant to post it bcs im 🧍‍♂️🧍‍♂️🧍‍♂️🧍‍♂

also this is just my own takeaway of the events, it doesn’t necessarily comply to the Ultimate Truth of Canon-Alignment or represent the actual facts of what hussie intended! v sentimental smh but hopefully its still interesting to read

i love when characters inform each other by proximity, it's one of my fave things to see in media :') it feels even more significant when two characters deliberately choose to stick together, so that when one operates, you can tell the other is similarly aligned in associative solidarity.

sollux is a keystone of this trope — whoever he aligns with is a wordless statement, a nod of approval. this stood out to me bcs the main four humans were alr friends by default, but once you reach hivebent you realize the trolls can actively choose who they want to hang out with.

and as we all know, after assessing every troll's biases/loyalties, sollux is the only one who maintains his selective preference for innately Good 👍 people.

aradia is such a beautiful character honestly, she evokes such incredible feelings in me. she might not have been consistently written with care but the best parts of her character are truly stunning. i think it's easy to remember sollux as the self-sacrificing one bc he's so open about it (and his friends frequently react to his Moments) but when you compare him to aradia, it's always struck me

how much more. raw it is

to be so alone as an agent of time, having to orchestrate immeasurably harrowing events nobody understands or gives a fuck about

with your role painted in the story as one who must tend to the needs of the narrative, responsible to match every next note

because when you're given the capabilities, it becomes your duty to carry it out.

it becomes expected of you to keep experimenting and arranging the machinations to work for everyone, dusting off hundreds of necessary failures to keep going

and having to be so unwavering in your drive knowing miserably that there's no one who can help you but yourself.

or alternatively: to make things fun! so other people won't think twice about letting you go off on your own.

sure she's had some very good buds, notably thanks to Team Charge v Team Scourge antics.

and yet, at the end of the day, the one friend that kept choosing her time and time again was the friend with the highest standards.

i can see why people like to define arasol as moirails/matesprits but surprisingly i find the nondescript, unlabeled aspect of their relationship more straightforward to understand.

there's no shortage of people who would accommodate sollux. most of the surviving trolls are his oldest friends bcs he’d chosen them well. his transparency with his feelings had built him strong friendships that won’t falter or break, regardless of how much of a dick he can be. they’ve already seen and accepted him at his worst, and they still like him for who he is.

contrast that with aradia, who'd been so approachable, friendly and reliable in her exchanges it was super fun to talk to her. but the moment she became depressed, all her connections broke down.

her friends became hesitant to interact with her (until she became god tier, “happy” and amicable again) because her gloom and resignation didn’t serve them. she dealt with it alone.

there’s def something of note here abt the disparity between the way male & female characters are written+perceived in homestuck (esp parallel arasol with davejade) but i won’t go into that lmaoo

with this in mind i like to think of sollux as a gift to her, a loyal companion given to complement and commend her resolve. she's capable of doing so much alone but hussie took the time to build her and sollux's relationship as one of a unit; a set.

the ambiguity of their status does complicate things, but i do believe it makes sense with their characters. aradia's relationship with romance is a rocky one, the dubious stringalong equius had with her is a pointed reminder that her feelings of attraction are ultimately controlled by the author writing her.

unlike the other trolls who can openly address and own up to their crushes, aradia had romantic emotions forced upon her (especially when hussie implies 'she kissed equius back on her own volition'). and it seems like her character is so intrinsically neutral abt attraction that even when forced by the almighty powers above, she's unable to retain it wholly.

however, looking back to pre-game when she could actually "choose" her own feelings, she did have a crush on sollux.

their soft spots for each other were so obvious to the point where other people could see it.

taunting aside, when vriska comments on their unit as bf/gf it actually informs the audience that arasol's relationship is romantic in nature despite not aligning with the quadrant system.

even while dead, aradia could still describe her care for sollux, expressing that she would like to see him happy. if they had more time to explore their relationship on alternia, it's possible they could've settled in a quadrant once they grew older.

but going back to the lack of labels, their dynamic was affected once more when aradia became god tier.

to me, her ascension was both the perfect culmination and possible closure of her character. it's the light at the end of her journey toiling through countless of timelines where she had to actively assess and participate. that's why it's cool to see her being silly and having fun giving guidance, passively exploring and watching other people do their parts.

and yet the joy of her freedom makes it hard to explore further introspection. if we take her by her word, she'd already come to terms with the hurt she's been through and forgiven those involved.

i can't help feeling attuned to how impersonal and detached it can be, to devote and meld your identity so completely with your designated position as Maid of Time until you've become hard for your old friends (and even some readers!) to personally connect to.

idk post-canon but i assume there’s some degree of similarity to be bridged here with aradia's god tier and how the hs2 humans' Ultimate forms was described as a consolidation of all their possibilities. since aradia's classpect is inherently of service to Time, going god-tier may have elevated her beyond personhood with the "game construct" possessing her entirely. sollux doesn't realize the extent of it bcs he's still mortal, but a part of him may have subconsciously understood this.

i think there is a core aspect to aradia that was lost to the dehumanizing glory of god tier — a core aspect that may have contained an element of why sollux enjoyed talking to her in the first place.

to him, aradia hadn't just been a nice girl, she was a cool girl. despite not having much in common, he's still willing to chill next to her so she's not alone while she does what needs to get done.

back on alternia, they held a mutual and equal-level regard for each other that could've definitely settled into something permanent. but now, he's placed himself in a position where he can be kept around or left behind at will. the parameters of the relationship are largely in aradia's court, so any label she suggests to identify their relationship with he's likely to accept.

but that's why it's so difficult to label it. because god tier aradia may not necessarily Want quadrants or relationship labels. rather than the initial romantic attachment, their commitment to each other had evolved into one fundamentally of companionship.

no label? ok fine. no matter what, he still thinks she's a good soul worth latching on to. the best, actually. aradia > everyone else.

even if it gets stilted at times. there's an unexpected struggle to connect when sollux's go-to default for talking points is his feelings about things, and aradia may not want to talk about emotions all the time.

not to mention god tier aradia became an observer, especially of chaos. but sollux's avoidance of involvement comes partially from his innate pressure to get involved if something goes wrong. and he can't always tell when something goes wrong, because aradia doesn't mind if things go wrong anymore.

it's a non-negotiable preference that causes them to take the occasional time apart, a new boundary that wouldn't have existed before the game and aradia's god tier.

but just like how his friends tolerated his moods, sollux accepts aradia as she is. with no quadrants, their connection doesn't break down because there's no implicit romantic expectations to be disappointed by or resentful over.

sometimes when i see hs content that deliberately distances sollux from aradia, i assume this is the dissonance people might have felt. people might find it "easier" to be cynical about them bcs of this strange tension.

but idc lmao. grab that shit by the neck

lack of easy resolutions and cleanly tied ribbons is pretty standard of homestuck and imo it doesn't make arasol's dynamic any less incredible. with the right affection and consideration, there's still so much potential to develop the nuance of their relationship outside of the popular quadrant-based depictions.

hs has a lot of really great character compatibilities but the way aradia and sollux are in their own special orbit is why i can write this much about them in the first place. it's that frail innocence between first loves that makes it so sweet to me, two kids who grew up too fast playing guesswork without being clear where they're going.

ultimately i do think you're meant to feel a little tragedy for just how much they care for each other, even if they can't quite establish it in simple terms.

maybe they keep taking breaks to progress their own paths. maybe they remain as anchor partners while seeing other people. but even if you decide to separate them, they're still (awkwardly) texting each other updates all the while. and when they reunite it feels like coming home.

and well. more than anything, i like to believe that they do want to be exclusive.

they're just afraid. after all, they're still learning how to love, beyond the projections of the foursquare quadrant system they had inadvertently distanced themselves from since young.

they might not have everything figured out, but they'll get there eventually if you just hold them together and write them there.

optional post-canon segment:

one of the limitations of main hs is that (monogamous) relationships are often written as the go-to solution to wrap up character growth; it's an easy "patch" to imagine characters getting their happy ending because they have a partner, and those who don't end up with someone don't get that closure (most notably jade).

hs2 reaffirms this by suggesting that aradia's character cannot progress without letting sollux go, because happily settling in a relationship automatically locks your potential.

that pathetic panel of sollux staring emptily into the sky is still my fave hs2 spoiler ngl i find the impact of their parting so emotionally provoking precisely bcs they were written in original hs to be each other's forever, coming back together again and again

but now, they're subject to the decisions of the post-canon authors who might choose to deviate from that.

it's not new for them to part, but now there's an underlying worry that her dropping him off this time might be the last time. while i think the prospect of shattering their stability to make them grow separately sounds fun on paper, no amount of me desperately hoping for a good execution is gonna guarantee it

idk. i guess prediction-wise im expecting sollux in classic dramatic-hs2 fashion to tell dave to back off aradia LMAO. otherwise it's just gon be sollux and karkat pathetically watching aradia and dave from a distance swimming in their unresolved feelings for narratively-powerful time players smh obvs it sounds corny as hell but who knows its still plausible

srsly tho i hope they take the opportunity to develop arasol's relationship in a fresh direction that doesn't hurt me too badly...... and i hope they force sollux out of his comfort zone. i like watching him struggle :-)

[ginnsbaker]

In Silent Screams (2/3)

Several weeks into her affair with Vision, the voice inside Wanda's head urging her to end things diminishes to faint murmurs, eventually fading away entirely.

Chapter word count: 8k+ Pairing: Wanda Maximoff x Fem!Reader, Wanda Maximoff x Vision Warnings: Smut (F/M), Cheating, Angst, Gaslighting, Manipulation, Dubious Consent, Toxic Relationships

Notes: M rating this time. It gets spicier because what's between them is just pure lust. There will be a full smut scene that is a bit triggering given the context of how it happens, why it happens. I will mark it in red so you can skip it. Again, you will probably hate Wanda here more than the previous part, be warned.

Series Masterlist | Main Masterlist

-

Part II

Comfort starts to creep in, wrapping around Wanda like a cozy blanket.

Several weeks into her affair with Vision, the voice inside Wanda's head urging her to end things diminishes to faint murmurs, eventually fading away entirely. And as she allows herself to indulge in the newness of his body and all the ways he is different and not what she’s used to, it becomes even more pleasurable (and addicting) for her when they come together. 

Wanda starts to think that maybe being with Vision like this doesn't take away from the love she has for you. It's almost as if she's compartmentalized herself—her relationship with you remains sacred, undisturbed by the dalliances that occupy her days. Vision has become a separate chapter, a deviation from the norm, but he's not taking the place of what she's built with you over time. Every night, regardless of how late it gets or how entangled she becomes in her meetings with Vision, she finds herself retracing her steps back to you. Her days begin with your face, and they end with your arms around her. There's a routine in that, a certainty she clings to.

Being with Vision helps her forget she's even in Westview. She's less haunted by the child she couldn't have with you, by the job she left behind for your sake. She dwells less on missing you, on feeling like she's become a secondary character in your life as you work tirelessly to provide for her. And isn't that what marriage truly is? More than the vows and the rings, it's about choosing the same person every day. It's about finding ways not to hold grudges, to keep the bond strong, to maintain a balance, right?

Her friendship with Vision, devoid of the usual societal filters, feels pure. They share, they debate, they laugh. But as the sun sets, Wanda always knows where she belongs. 

To you. 

-

“You’re kidding.”

Vision glances back at her over his shoulder, flashing a playful grin. They're in a park just outside of town, a result of those spontaneous drives they occasionally take. They've found a quiet corner, a place where they can be with each other, away from the rules of their complicated lives. Him being her student makes everything that much more delicate.

“Why would I joke about something like that?” he says, looking pleased with himself.

Wanda puts down the essay she’s reviewing and leans back on the picnic blanket, shielding her eyes from the sun. “You seriously want to buy art from the gallery?”

He shrugs, “I like what they showcase. Plus, I thought... well, it might be a good opportunity for you to earn a commission.”

It’s a weak argument and they both know it. She smirks, “Trying to impress someone?”

Vision pauses, taking a deep breath, serious as he says, “Maybe.”

Wanda sighs, feeling a knot tighten in her stomach. “Vision, we need to be careful.”

“Careful? Wanda, we're miles away from Westview. I'd say we're being pretty meticulous about this.” He smirks, pointing to the tall trees that shield them from any possible onlookers. “With all these trees and not a bird in sight, we could even fuck right here in the open if we wanted to.”

Wanda fixes him with a sharp gaze, one that immediately conveys her disapproval. Immediately, the smirk fades from his lips, replaced by  a realization that he might have gone too far with his teasing. He reads the message in her eyes loud and clear. Not only is his suggestion off the table, but he also senses that he may have jeopardized his luck in the coming days.

“I… I’m sorry,” he murmurs, going back to his sketchpad. They don’t speak to each other for a while. Wanda is deeply engrossed in the essays she has to review, already behind the deadline she set for herself, while Vision gives her space to cool down from his mistake. Their arguments are always brief but intense, and lately, they haven't been leading to sex as often as Vision would prefer.

“I’ve been meaning to ask,” Vision starts, “How is it, being with Y/N? Being married, I mean.”

Wanda stiffens at the mention of your name. She's never discussed you with Vision, and a surge of panic begins to rise within her. She hides her reaction by neatly rearranging the papers alphabetically in front of her. 

“I told you she’s off limits,” she answers a moment later.

Vision feigns surprise, tilting his head slightly. “Ah, my apologies. I meant no disrespect,” he says, his voice carefully neutral.

Wanda purses her lips, her posture tensing further. “Just... let's not go there.”

Vision nods, though he can't help but steal a quick glance at the wedding ring on her finger. It taunts him everytime he sees it, reminding him of the life she shares with someone else—a life he often finds himself yearning to be a part of. He's been daydreaming about a different reality, where Wanda is by his side not on borrowed time, where he is the one she turns to at the end of a long day.

He's persuaded her to share her thoughts with him, to spread her legs for him; how much more challenging could it be to win her heart next? He'll take it one day at a time if he has to. Patience is something he doesn't mind exercising.

Cleverly masking his intentions behind a facade of casual curiosity, Vision continues, “Hypothetically speaking, if you were to give insights on marriage, just in general...What are your thoughts?” He leans back, making the conversation seem casual, though every word is carefully calculated.

She glances at him, slightly suspicious but not fully alarmed. “Why the sudden interest?”

“Oh, you know," Vision waves his hand dismissively. “It's just something that's been on my mind lately. As a concept, I mean.”

Wanda narrows her eyes slightly, studying him. She knows Vision well enough to understand that behind his seemingly innocent inquiries, there's often an ulterior motive. But she also knows that he's persistent, and sometimes, the best way to deal with him is to play along, to a point.

“It’s…” Wanda finds herself grappling for an answer. She hadn’t expected that the answer would be much more complex now given recent events. She used to look at it in an idealized way, where marriage is what happens at the end of an epic love story, the banner over the path that the two main characters continue their journey on; the natural conclusion when people say 'happily ever after'.

Perhaps she's been wrong to view it that way all along. Perhaps marriage is just a tool to peel back the facade meticulously crafted during dating, for nothing remains hidden in marriage. To enforce a commitment that's always existed. To harness the rights it bestows between two individuals. To—

Wanda can list countless facets of marriage, and yet it wouldn’t change the way she feels about you, with or without it. She can change—she has, and marriage can vanish from the world, her love for you would persist unscathed. While every fiber of her being might be judged for her actions, she believes her love can’t be tainted. She’s sure of it. And so, essentially, marriage is—

“...it’s an indemnity.”

It’s not at all what he assumed she’d say. “An indemnity? That's an... interesting choice of word.”

Wanda nods, pushing a stray hair behind her ear with a thoughtful look. “Right. It's like our safety net, not just from what's out there but from our own doubts too. It's us saying to ourselves—and to anyone watching—that no matter how tough things get, we're in it together.  It's a promise that even in the darkest times, we'll stand by each other.”

Vision absorbs her words, trying to see the cracks, the spaces where he could insert doubt or lay the groundwork for his plans. “But don’t you think,” he ventures cautiously, “that sometimes, that very protection, that indemnity, becomes the chain that binds? Don’t you ever feel... trapped?”

Wanda takes a deep breath, sensing the subtext of his question. He has a knack for drawing out the very things she's trying so hard to keep from him. In the end, she still ends up talking about you. If he's truly eager to hear what she has to say about you, then Wanda doesn’t care if he won’t like what he hears.

“I know what you’re trying to do here,” Wanda says with a wry smile. “To assume she's the one trapping me would be a gross misunderstanding.”

He laughs for a long moment. It's loud and over the top, and somewhere in the midst of it, it begins to feel like an insult. Wanda lifts her chin, unfazed by his antics.

After a few moments, Vision's laughter subsides, replaced by a somber look. “I apologize,” he says, even as Wanda goes back to her readings. “I didn’t mean to make light of your feelings. It's just... sometimes I feel like you're still lying to yourself, Wanda.”

Wanda's eyes narrow, her stance firm, but she doesn't rise to the bait immediately.  “How am I lying?”

There it is—his opening.

“Yes. Sometimes, I wonder if you're using these philosophical explanations as a way to protect yourself from confronting something deeper. Something you might not want to face,” he says.

She chuckles, but it's devoid of any real amusement. “And what might that be?”

“That maybe,” Vision says, crawling closer to her until they're just a breath away. “Maybe being with her isn't everything you once believed it to be.”

A retort forms on Wanda's lips, ready to be unleashed. But as she looks into Vision's eyes, she notices something genuine and disarming in them. 

“All I’m saying is that you don’t need to defend yourself around me,” he murmurs, his voice gentle, fingers lightly grazing her cheek. “You don't need to explain yourself. Not about this, not about anything.”

His lips find the curve of her neck, placing a chaste kiss there, sending a shiver down her spine, making her sigh softly. 

“You can enjoy that,” he whispers against her skin, voice husky. His lips move upward, caressing her cheek before they meet hers. His hand slides to her waist, pulling her closer, until she’s on his lap, straddling him. Her skirt rides up her thighs, allowing him easy access to her dampening underwear.

Wanda shifts nervously. “Vision, we're in public,” she whispers sharply, but doesn’t make any move to get away from him.

His lips twitch into a confident smirk. “I know.” His fingers daringly slide beneath the hem of her skirt, edging towards her panties. “Don't worry,” he assures her, “I just wanted to see if your body tells the truth, even if your words might not.”

Her breath catches as his fingers find the growing wetness there. “See?” he murmurs, his mouth twisting into a boyish grin. “Your body doesn't lie.”

She enjoys it. To be brutally honest, without the haunting thought of your reaction if you were to find out, she concedes she savors their meetings. She’s attracted to him and it’s consuming her every thought. 

Wanda blushes furiously, coupled with the fear of being discovered like this, she’s surrendered to this wicked game. He doesn’t worship her like you do. He doesn’t try to make her feel like nothing is her fault the way you do. Why weren’t you disappointed that she couldn’t get pregnant? Couldn’t contribute to your household like equals? Why didn’t you agonize over the financial repercussions of her relentless quest to start a family with you?

Why won’t you ever, ever hate her?

It's twisted that she even thinks of you as she tilts her hips upwards, urging Vision to touch her just right.

Without warning, Vision plunges his long middle finger inside her, causing Wanda to gasp and grip onto him. The intimate intrusion is brief, and she barely has time to process the sensation when he withdraws, pushing her off his lap and onto the soft grass beside him. He holds his glistening finger up to the light, then brings it to his lips, never breaking eye contact with her. She watches, entranced, as he deliberately savors her taste.

Wanda’s chest rises and falls rapidly, every nerve in her body alive and buzzing. She feels exposed, laid bare both by his actions and by the force of her own arousal. There's a delicious humiliation in it, a thrill of being seen and wanted so openly.

But before she can get a chance to speak, Vision reaches into his pocket, producing an envelope thick with cash and hands it to her. She doesn't need to count it to know it's a significant amount.

“What the fuck is this?” Wanda asks, looking down at the cash in her hands.

He laughs again. He enjoys riling her up. Makes this all the more charged and exciting.

“It's for the painting from your old gallery,” Vision explains calmly. “Going back to that, yes, I want to purchase it. And that’s just 50% of my intended offer.”

Wanda reflects on all the support you've offered her, the financial aid you generously extended without ever demanding explanations. A portion of the money in the envelope—her future commission— could be a start, a way to repay some of the debts she owes you, even if it doesn't cover everything.

Not that you’ve ever asked her to pay you back. You’ve never once hinted at any imbalance in financial obligations in your relationship.

“I shouldn't take this,” she mumbles, yet her fingers clutch the envelope a little tighter.

“I want to,” he insists. “Although, I want a special request.”

Wanda's eyebrow arches in skepticism. “Which is?”

“A handwritten dedication from you, when the painting is delivered,” he replies.

She averts her gaze. “I’ll think about it.”

Vision nods. “Keep the money while you do.”

-

Wanda starts leaving the house early too, going to her lover’s apartment before they go to the university together.

Vision sits comfortably on the plush couch, engrossed in his video game, his fingers swiftly moving over the controller. Wanda enters, shrugging off her light jacket, her simple, functional underwear visible from the thin material of her dress.

“You know, Wanda,” he begins casually, “Have you ever considered just... being in your natural state here?”

“What do you mean?” Wanda asks, helping herself to some tea.

“Your body is a work of art,” he replies, pausing the game now and turning to face her fully. “And as someone who appreciates art...” His gaze travels to her current choice of undergarments and back up to her eyes, leaving his sentence hanging.

“Are you suggesting I walk around here naked?”

He grins cheekily. “The thought did cross my mind.”

Wanda's cheeks flush. “That’s not happening.”

“Alright, maybe not that,” he relents with a mock sigh. “But perhaps wear something more... refined? Exquisite?” His emphasis on 'exquisite' draws a clear line between what she currently wears and what he's suggesting. 

She's always prided herself on being confident, knowing her worth. But Vision’s playful, yet sharp suggestion chips away at her armor just a bit. For a split second, she wonders if this is how he truly sees her. If her choice of underwear, something so personal and intimate, is a reflection of her self-worth in his eyes. It's crazy to let his comment get to her; she's aware of that. But she can't help but think of you, of the intimate times you both share, the mornings she finds herself waking up beside you, and the nights you take off her clothes.

Do you notice? She wonders. Do you think the same?

It's all these tiny moments, insignificant on their own, but together they build a narrative in her mind. A story where maybe you don't desire her as you once did. That thought affects her more than Vision's words. The insecurity, an old nemesis she thought she had left far behind, resurfaces.

Wanda forces a nonchalant smile. “Why don't you mind your own business, and focus on your own wardrobe choices?” she retorts, but there's a lack of her usual sharpness in her tone.

He snickers, going back to his game. She hopes you don't see her the way he does. 

-

She buys a new set of lingerie—for you.

-

Wanda decides she’ll do it by the end of the week. Determined to finalize the sale, she picks up the phone while dinner simmers on the stove. With you still out, Sparky remains her only companion, and a pang of guilt strikes her for having neglected him lately.

She dials the gallery. After a few rings, the familiar voice perkily answers. “Hello?”

“Agatha, it's Wanda,” she says. “About the painting I texted you earlier. My buyer is all in.”

“There's already a bid on it,” Agatha interrupts, “with a deposit ready to go. But if you can secure the painting by tomorrow at the latest, it’s yours to sell.”

“Thanks. I'll make it happen.”

Only after hanging up does she understand that she'll need your help to ensure everything goes smoothly. The next morning, she broaches the subject, and, thankfully, doesn’t have to jump through many hoops to convince you. She loathes bending the truth about the gallery's closing hours, but she's pressed to secure the painting promptly.

Of course, you're there for her again. You even go as far as to offer her lunch, but she has to decline; she genuinely has an appointment with the dean. She reluctantly agrees to dinner, already having said yes to Vision to visit the Museum of Modern Art, where he's also set to give her the remaining 50% for the painting.

“We can have dinner,” Wanda proposes tentatively. “Maybe drive to the city for some steaks and a dive bar after?” It’s tiring to drive back and forth like Manhattan isn’t at least one and a half hours away without traffic, but she wants to spend time with you, and thank you for your effort.

“I'll pick you up at seven,” you say. “It's a date.”

She's excited, but deep down she's aware of the tight schedule. It would be nothing short of a miracle if Vision gets her back to Westview on time.

-

Wanda cancels dinner at the last minute. She's relieved that you're amenable and just texts to ask her what time she’ll be home.

-

When she gets her hands on the painting, it takes her a long time to think of a dedication message. Truthfully, writing heartfelt letters has never been her strong suit; she struggles to articulate her feelings. But as she contemplates her feelings for Vision, she draws a blank.  She considers simply thanking him for engaging her in conversations she hasn't had with anyone in so long, conveniently omitting their other indulgences. At the same time, she doesn’t want to leave a piece of herself behind, not even something as trivial as a personal dedication.

So she settles on a quote:

‘To Vision, the only secret people keep is immortality.’  - W

On a particular plane, it speaks to her. It's a phrase that mirrors the fundamental human longing for significance and a sense of purpose—something she has unknowingly let slip along the way.

-

Surprisingly, Vision appears content with the note. Wanda doesn't bother to inquire about his thoughts on it. He doesn't make a spectacle of his appreciation for the painting either, and it becomes apparent that he's indulging in a fantasy from some porno, where an older woman brings him something before he takes her to bed.

The sex is always intoxicating in its own messy way, now that she’s ready to admit she’s not after perfection whenever she comes to him. She doesn’t go to him because there’s something wrong with you. It might be because something is wrong with her, but there isn’t really any room to psychoanalyze her own mental state when she’s being taken from behind, facing a full length mirror. As pleasure builds, her eyes roll back, she briefly toys with the idea that she might be harboring deeper feelings for him. 

Then, out of the blue, a red flash catches her eye, but with two quick blinks, it vanishes.

“What’s that?” Wanda whispers, momentarily distracted before a moan escapes her lips.

“What?” he mutters distractedly, pulling her hair, when her head starts to droop. 

But before Wanda can form a coherent thought, he adjusts, lifting one of her legs and shifting his angle. With a few deliberate thrusts, she's spiraling into an overwhelming climax. And as pleasure washes over her, any lingering thoughts of deeper feelings for him evaporates along with the haze of lust.

Later, she would brush aside the memory of that brief red flash as she stealthily slipped into your shared home, careful not to disturb Sparky, who slept soundly. With a day off scheduled for tomorrow, she had completely lost track of time, fooling around a couple more times with a college kid.

-

“D-Did I hurt you?”

Right this second, Wanda feels like she'd welcome the ground opening up to take her or a random bullet finding its mark in her heart. Anything, if it would end her anguish. 

She watches your face crumple with guilt and hurt, and she can't believe she's caused you to feel this way when you’re just aching for her. 

Without missing a beat, Wanda draws you into an embrace, feeling your heart race against her chest. “No, you didn’t. I shouldn’t have made you feel that way,” she whispers. The mere thought of you second-guessing your intentions with her shatters her heart.

You lean into her completely, feeling like a child in her arms. “I’ve been missing you so much lately, and I thought... I thought we were on the same page.”

Wanda insists it's not your fault. None of this is your fault. She desires closeness with you, but she hadn't expected it to make her feel so uneasy beneath her skin, especially considering she had been touched by another less than 24 hours ago. She has to remind herself that you aren't aware. But she knows, and it plagues her mind, why you’d want to touch her.

Your reply, soaked in typical selflessness, is, “I know. I’m sorry.” 

Your apology, the earnestness in your tone is starting to make her feel dizzy. The fact that you feel this way, that she has led you to question your privilege—something she has always granted you—to touch her, is agonizing.

“Stop saying you're sorry,” Wanda snaps, her words sharper than she intends, fervently hoping that you understand her outburst isn't aimed at you. “You do everything right. It's me. I've missed you too, more than you can possibly imagine.”

When you softly say, “I love you,” it's filled with so much emotion that it brings tears to Wanda's eyes. It takes her too long to respond with an “I love you, too,” because there’s many more she wants to say. And she can’t say it without revealing the one thing that she fears will drive you away. 

She can only hope that you believe her because she means it more than anything.

-

Wanda can't pinpoint exactly when she developed the habit of locking the bathroom door. It likely started around the time Vision would text her, innocently asking about her lectures. Then, one day, she received a short video clip of him pleasuring himself and moaning her name. She promptly deleted the clip, but from that point on, she learned to check her messages at home only when she was about to step into the shower.

-

Natasha visits and something inside Wanda unfurls itself. She becomes hyper-aware of her activities with Vision, how she conducts them and where. Before relocating to New Jersey, you mentioned that Natasha had taken an open-ended break from her job, suggesting she might be ready to leave her old life behind. Still, she’s uneasy when she learns about it too late, and Natasha’s already outside, waiting to be let into the house.

You're still in your office attire, donning a pristine suit that would have captured her attention for the entire evening, if not for the fact that she's on the verge of breaking down at the mere thought of you discovering her affair with Vision.

“Why didn't you tell me she was coming?” she snaps, gesturing at the dinner table set for two and the disorderly state of their living room. Her eyes dart to a stack of her students' reaction papers lying exposed on the coffee table, and the unkempt pillows. To you, it might seem trivial, but to Wanda, every small detail could give away something she'd rather keep private.

“You could've at least warned me,” she continues, her tone reflecting more than just her concerns about dinner and the state of the living room, but you fail to catch it. You try to help, reaching out to straighten the living room, but she's too frazzled. Seeing the frustrated look on your face, she can't help but feel cornered. She hastily scatters the pillows about, her movement nothing short of hysterical. 

Sensing that things might take a worse turn than they should, you make the decision to be the one to step back.

“If it's too much trouble for you, we can just grab dinner elsewhere,” you suggest, struggling not to lose your own patience. 

She can't help but throw you a sharp look, feeling as though your words only made things worse. The mere idea of you and Natasha, alone, maybe sharing stories or opinions about her, feels threatening. But there’s nothing she can do but hope you will veer away from talking about her, that you won’t confide in Natasha how you haven’t had sex in months.

“Fine,” she snaps and quickly retreats up the stairs. “Send my regards to Natasha,” she throws over her shoulder, the guest bedroom door shutting loudly behind her.

She sighs heavily, pressing her back to the door, heart racing. From the window, she sees you walk back to the car, your frustration evident in every step. Natasha looks at you with that questioning glance Wanda knows all too well. She watches as you speak before handing Natasha the car keys.

She gazes up at the ceiling, determined to hold back the tears that are on the verge of spilling. She doesn't want to push you away, but her fear of Natasha, and what might be revealed, leaves her feeling trapped.

-

Out of frustration, she calls Vision, and they meet in his car, about two blocks from their house.

In the cramped confines of the backseat, Vision is quick to slide into her, the condom barely in place before he's thrusting with a fervor.

She peaks once, but not from him being inside her. She's too tense, too tightly wound for that. So Vision, realizing this, drops to his knees to truly bring her over the edge.

-

Later, Wanda lies on her side, every muscle tense, acutely aware of the presence beside her, all the while pretending to be deep in sleep.

“She used to crash at our place almost every week,” you murmur into the stillness.

A hint of irritation passes through Wanda, though she can't really tell why. “What?” she asks, her voice low and weary.

“Natasha,” you specify. “I didn't think to mention it because it was just our norm. She'd drop by unannounced all the time.”

You want to have a conversation about it, to work through this issue. She knows how you’ve been trying to give her space, thinking she hasn’t adjusted yet to life in Westview. You’re always thinking about her. Always putting her needs first above yours.

And Wanda can see how it’s worn you down, how you're starting to doubt your own logical reasoning, and how you're piecing together facts to present your case, hoping for her to be more receptive and listen. She despises the fact that she's putting you through all of this, merely because she's determined to prevent her different worlds from colliding.

She can sense you searching her face, looking for answers, trying to understand the wall she’s erected between you too. It’s so tall now, casting a shadow over both of you. 

“Wands?”

“Baby?” you try again. It seems like it's all you ever do these days. “Please?” 

Wanda resists the urge to turn toward you and pull you into her arms. She knows that if she does, the tears will flow uncontrollably, and she understands that you won't let her keep her troubles to herself. She composes herself, letting out a shuddering sigh.

“We're fine, Y/N. Let's just go to sleep.”

You give into her wishes, because you will always give her what she wants.  She extends her hand, delicately interlocking your fingers with hers. It's the smallest gesture she can manage. She pretends not to hear you, feel you shake, as you cry on your own.

-

She'd planned to watch the movie alone, in the middle of the day. So, when Vision discreetly takes the seat next to her, Wanda stiffens. A few others are scattered in the front rows of the dark theater, chatting softly as they munch on popcorn.

Without turning to face him, she whispers accusingly, “Are you stalking me?”

“I was in the neighborhood and thought I'd catch a movie. Pure coincidence.”

“You hate cinemas,” she counters.

He chuckles softly. “Maybe I'm learning to appreciate them.”

​​She’s about to retort when she feels a gentle touch on her hip. Wanda's muscles tense under his soft fingers as they start tracing the curve of her waist, moving slowly downwards, caressing her thigh. Her breath hitches, and she turns sharply to face him.

“What are you doing?”

Vision just smirks, leaning back in his seat. “Thought you might want to spice up the afternoon.”

Wanda rolls her eyes. “I'm not in the mood, Vision. Hands off.”

His laugh is a bit too loud, drawing “shhhs” and glares from the front row. Seeing him unmoved by the stares, Wanda huffs and stands up, making it clear she's moving seats. As she shimmies past him, Vision's hand snakes out, gripping her wrist. “Stay,” he murmurs, eyes serious. “I promise to behave.”

She hesitates, looking at him skeptically. Finally, with a sigh, she slides back into her seat. For the most part, Vision keeps his promise. They sit in silence, engrossed in the movie, but Wanda can't help but notice Vision's restlessness. Twice, he excuses himself, claiming he needs the restroom. She can't help but wonder what he's really up to, but she refrains from asking. Whatever it is, she's not sure she wants to know.

Later, when they step out of the theater, they're greeted by the aftermath of a rainstorm. Puddles dot the pavement, making it tricky for Wanda in her heels. Vision holds out his hand, and she takes it, especially when she almost trips trying to leap over a particularly large puddle. 

For some reason, she suddenly feels like she's being watched. From the corner of her eye, she spots the black SUV, parked in the same spot as when she arrived at the cinema. But before she can give it more thought, Vision pulls her towards a bookstore, quickly diverting her attention. She brushes off the odd sensation, attributing it to anxiety since the theater she picked is quite far from town.

-

Wanda stares, open mouthed and shocked, as Vision shows her his final project for her course.

It's a charcoal drawing on canvas featuring a nude woman, with only her mouth visible, reclining on a bench. Wanda doesn't need a second glance to realize that the woman in the painting is her. From the curve of her jaw to the birthmark on her left hip and down to the fold of her knees, the resemblance is remarkable. 

There's no way she can allow him to submit this.

His audacity to draw her in such an intimate manner without her consent leaves her momentarily speechless. She briefly wonders what other liberties he’s taken without her permission.

“What the hell is this?” Wanda questions in barely contained rage.

Vision smirks, arrogance dripping from every word. “It's you, obviously. Pretty accurate, don't you think?”

She clenches her fists, anger rising. “You had absolutely no right. This is beyond inappropriate. What were you thinking?”

Leaning against the table, he shrugs nonchalantly. “I was thinking about how hot you were and I wanted to immortalize it.”

She frowns, crossing her arms defensively. “This was private, between us. How could you think it's okay to make it public?”

“I thought you liked when I took control,” he says, stepping closer, his voice dripping with insinuation.

Wanda feels like throwing up. “This isn't a game,” she snaps. “You can't just use our personal moments as fodder for your projects!”

“You never seemed to mind before.”

Wanda replies sharply, “There's a difference between us being together in private and you broadcasting it to the world.”

He squares his shoulders, firming up his stance. “Maybe I wanted them to see.”

“To see what exactly?” Wanda yells, but the fear in her voice is unmistakable. 

“How good we are together,” he says. “Maybe I’m tired of hiding, Wanda. Ever thought of that?”

Wanda's mind races, a thousand thoughts crashing into one another. She's always been able to control the narrative, always had the situation in her grip. But now, Vision's defiance, his blatant challenge, terrifies her. The realization that Vision could, and possibly would, spill their secret terrifies her more than she thought possible. For the first time, she's faced with the real possibility of losing everything she holds dear. Of losing you.

“So, what's it going to be, Professor?” Vision challenges, towering over her in a display of intimidation. “Should I submit this, or maybe...” his voice drops to a whisper, “show it to your wife?”

She grits her teeth, trying to gain some semblance of control. “Destroy it. Now.”

Vision grins, leaning in closer until their faces are inches apart. “Make me.”

“Vis—”

Vision's lips crush down on hers in a fierce, demanding kiss. His hand clamps around the back of her neck, holding her in place as he ravishes her mouth. It’s fervent, consuming, and fueled by a hunger she hasn't felt from him before. Her brain screams at her to resist, to push him away, to regain control of this spiraling situation. She shoves at his chest, her nails digging in, but he doesn't budge. Instead, he deepens the kiss, his tongue demanding entry, which she denies him.

In her mounting frustration, she raises her hand and slaps him hard across the face. Vision barely flinches, his gaze never leaving hers. His determination only fans the flames of her anger further, but beneath it all simmers an irrefutable want. Without a word, Vision's hands descend to her waist, deftly unbuttoning and pushing down her pants and off her legs. She makes quick work of his belt, discarding them recklessly to the side.

As he inches closer, his breath hot on her ear, Vision murmurs, “Say it, Wanda… say 'I want you to fuck me’.”

She can feel the solid length of him pressing against her, and despite her anger, the way he slowly gyrates his hips makes her weak. She draws a shaky breath, the words stuck in her throat. It’s wrong, and he shouldn’t have this much power on her. 

He moves in, his lips trailing down her neck, as his hands find their way around her waist, pulling her in even closer. “Say it,” he murmurs again.

“I want you to... fuck me,” she finally breathes out, her voice breaking into a whiny plea that she would never have believed she could utter, especially under these circumstances. 

His response is immediate. Before she can fully register what's happening, he has her lifted, her back pressed against the wall, her legs wrapped around his waist. With a sharp thrust, he's inside her, filling her completely. While Vision usually found his release before she did, this time was different. She notices he's holding back, which confuses her. Why would he? Especially now. Wanda, lost in the sensation of him inside her, is curious but also a little apprehensive. 

She soon realizes why. His fingers find her clit, rubbing it in a rough, almost painful manner that sends shockwaves of pleasure through her. “Come on,” he urges, almost impatiently, his voice strained.

She feels herself spiraling, the coil inside her tightening. His cock angles and adjusts, targeting her sweet spot, making her clench around him. The slickness between them grows, and his fingers work in tandem with his thrusts, pressing, rubbing, coaxing her closer and closer.

“I'm gonna... I'm coming,” she warns, feeling the walls of her pussy fluttering.

And then she feels it—the unmistakable warmth, the pulsing. Her eyes widen in realization as Vision buries himself deeper, releasing inside her. 

“No!” Wanda screams silently, the sounds failing to escape her throat as the knowledge that he's come unprotected pushes her further into her own climax. Her instinct is to flee, to pull away from him, but Vision's grip is ironclad. He feels her panic and responds with more pressure on her clit, manipulating the nub with determined fingers. Each stroke sends her further into ecstasy, locking her in place as his other arm wraps around her waist, preventing any escape.

“Stay,” he murmurs into her ear, his voice filled with a possessiveness that she's never heard before. As he continues to spurt inside her, their hips still weakly grinding against one another, the reality of the situation dawns on her. He didn't use protection. He could—he could get her—

Terror claws at Wanda's insides. Was this all premeditated? Had he planned to trap her like this? She struggles to pull away, but Vision holds her even tighter, keeping her pressed against him as the last of his release fills her. He languidly rests his forehead against Wanda's shoulder, taking a moment to revel in the afterglow. When he finally dares to look at her, he expects to see anger or fury or maybe even forgiveness. Instead, he's met with wide, bloodshot eyes swimming with tears that violently spill over, tracing the contours of her cheeks.

His smugness dissipates and his brow furrows in confusion. “Wanda?”

She chokes on her tears, desperately trying to speak. “Did you—did you do this on purpose?” Using every ounce of strength she can summon, she pushes him away, stumbling slightly as her legs threaten to give out. Hastily, she starts grabbing her clothes.

Vision, looking lost for once, reaches out, but she recoils away from his touch.

“Don’t you fucking touch me!”

“Wanda, please. Let's talk about this.”

As Wanda attempts to regain her balance, she can feel the telltale wetness slide down her inner thighs. The physical evidence of their tryst, the proof of Vision's seed making its way out of her, sends a sharp pang of revulsion through her. Her hand moves instinctively, trying to wipe away the residue, a feeble attempt to erase the aftermath—or perhaps the entirety of their history. Her vision blurs as tears continue to stream down her face, her breathing jagged. Vision, looking both remorseful and lost, reaches out in an attempt to console her, but she flinches at the barest contact of his fingertips.

“Please, at least let me drive you to—”

“To where?” she spits out, her voice mocking. “Home? To my...? I can't—not now.”

Vision's eyes widen, and suddenly he looks much younger.

“Wanda,” he starts, voice shaky and eyes beginning to tear up, “I'm so sorry. I didn't mean... I didn't think… I-It’ll never happen again.”

But the pitiable sight of him, looking scared and unsure, only adds fuel to the fire. “You think a simple 'sorry' is enough?”

The door is her escape, and she's quick to reach it. As she’s about to leave, he whimpers, almost begging, “Please don't go. I... I'm sorry.”

But she's done. With one final, withering glance, she exits, leaving the door to swing shut behind her. 

-

While Wanda waits for her period to come, she can't focus on anything else. She feels disoriented during the day, and it keeps her awake at night. 

In her world, everything's spiraling into a fragmented mess, like a vintage vinyl record that's been smashed to bits. 

She tosses out reading assignments like candy at a twisted parade, tells the kids to scribble down essays. For them, it's almost like a holiday. For Wanda, it's a desperate lifeline. By the window, she stands. Watching. Waiting. But not really seeing anything. Vision's eyes, burning into her, but she never meets his gaze. She hasn't been responding to his texts or calls, discarding them immediately without even opening them. The classroom exit strategy is always the same: blend in with the herd, avoid the predator. She doesn't give him even the slightest opportunity to get her alone.

Home should be her fortress. Instead, it's like quicksand. Sparky, always eager for her attention, brings toys to her feet, his tail wagging in hopeful anticipation. But her patience is thin, and she finds herself shooing him outside, much to the dog's confusion. She's been bringing home takeout repeatedly, and the repetition isn't lost on you. While you never openly complain, she notices when you start to take the reins, cooking dinner, a quiet acknowledgment of her current state.

She waits and waits—a ghost haunting a lover, a home, a school, a town, waiting for salvation.

-

She’s more than a week late for her period when she (terrifyingly) decides to buy a pregnancy test kit. Wanda clutches her coat tighter around herself, hesitating for a moment before pushing the door open. Inside, she avoids making eye contact, moving purposefully towards the aisle she's dreading. As her fingers wrap around a pregnancy test kit, her heart hammers in her chest. With the box safely tucked inside her bag, she hurries back home, sneaking glances over her shoulder, feeling as though the world knows her secret.

When she arrives home, she pretends as if she had simply stopped by the grocery store. She musters a smile as she begins to prepare dinner, maintaining a light and cheerful conversation with you. You savor her food as if it were your last meal, showering her with compliments like a discerning food critic, which brings a slight chuckle from Wanda. You peck her lips when you’re finished, thanking her for it. For a while, it seems like everything is back to normal, and that nothing will shatter the illusion that she’s still living her happily-ever-after with you.

She waits, counting the minutes, ensuring you're deep in sleep before she tiptoes into the bathroom. She reads the instructions multiple times, her eyes scanning over each word as if hoping they'd change. It's as though she hasn’t been through this ritual numerous times before, back when her deepest desire was to bear your child. The irony isn't lost on her: in just a few months, she's transitioned from yearning for a baby to fervently hoping she isn't pregnant.

Finally gathering enough courage, she rips the packaging. Just get it over with, Wanda muses. The minutes that follow feel like hours. The silence is suffocating, the potential consequences bearing down on her. She jumps at the slightest noise, every creak of the floorboards or rustle of sheets convincing her that you've woken up.

The alarm on her phone finally goes off, signaling that it's time. With bated breath, she looks down at the test, her world teetering on the brink of change.

-

She’s hidden the pregnancy test deep in the trash bin, concealed under tissues and other refuse. It’s the middle of the night, and she ensured it is further out of sight by taking the trash outside.

As the initial relief floods through her, it is swiftly replaced by a profound sense of shame. She sits curled up on the couch, hugging her knees, desperately wishing to escape from herself and her crimes. She realizes, with a piercing clarity, that she can't compartmentalize or keep secrets when it comes to you, because you're not just a part of her life—you are her life. The mere thought of you finding out fills her with a terror so profound, she's left gasping for breath. She'd rather face any consequence, even death, than watch the love fade from your eyes, replaced by hurt, anger, and betrayal.

She loves you, but Wanda doesn’t—she doesn’t know what to do, how to move forward. 

But in the midst of her life falling apart, an unexpected sentiment finds its way to the forefront: hope. 

A fragile, quivering kind of hope. Wanda's lips twitch, trembling as they pull into a weak smile. Maybe the universe is giving her a second chance. Maybe her not being pregnant is a sign, a way out. It's as if fate is holding out a lifeline, imploring her to take it and mend the fractures in her life. With renewed determination, she silently promises herself that she'll devote every bit of her being to you. She knows she can't change the past, but she believes, fervently, in the possibility of a future where she remains true, where she will never stray again.

Still, the weight of her deeds anchors her to the couch, each sob a violent reminder that she's the villain in her own story. And that’s how you find her, in the dark living room, crying and blaming a nonexistent movie for being in such a mess.

“Wanda?”

She looks up and every cell in her body threatens to crumble. “Hey, baby,” she murmurs, her fingers brushing away the tears.

“Have you been crying?”

“Just a movie,” she lies still, “You know how emotional they make me.”

You smile, your eyes full of that nurturing love. “My big crybaby.” Wanda can't believe a pregnancy scare was what it took to finally wake her up.

Looking into your eyes, a surge of need overtakes her. She longs to claim you, to solidify her stake, and leave no doubt in your mind about where her heart truly lies. She wants to show you just how much she loves you, to make up for all the times she has strayed. 

She doesn't hesitate. Before she fully processes her actions, she's on top of you, her weight pinning you down, her eyes blazing with an intensity that threatens to consume. “Take off your shorts,” her voice trembles. Your obedient response sends a thrill through her, but she's barely registered the progress you've made before she's swiping a teasing finger, tasting the essence that's uniquely yours. She watches, entranced, as a shiver runs through you, your voice shaky with desire. 

“Patience, baby.” 

She barely shakes her head, lips parted. “Don't have any.”

And then she's tasting you, each slow, deliberate stroke of her tongue designed to drive both of you mad. Your body responds fervently, and she can sense your need building, mirroring her own desperate longing. “Please, Wanda, more…” Your whisper is a plea she can't resist. Her lips part to take in more of you, savoring the intoxicating flavor that she had missed so much. 

“I've missed you so much, Y/N,” she says, deliriously lost in your pleasure. “I've missed making you feel good. Missed feeling this way with you…” She doesn't quite realize the hints she's dropping, but she doesn't care. This moment is real, and she wants it to be as honest as it can be.

Lifting your legs, Wanda applies gentle pressure, pushing them back until they're almost touching the couch cushions on either side of your head. The sight of you, so openly displayed for Wanda, sends a rush of heat and desire through her core. She can feel the power she has, not just from the position but from the trust placed in her to have you in such a vulnerable state. It feels so good, being this close to you. How could she have ever desired anything else when she had this all along?

Wanda pauses for a moment, mouth watering, her eyes hungrily tracing the sight before her. She senses a slight shift, seeing your eyes flit away, perhaps overwhelmed. But Wanda can't allow that retreat. Gently cradling your face, she guides those eyes she loves back, sealing their return home to her with a tender, grounding kiss.

“I love you,” she breathes against your lips.

You smile up at her. “I love you. More than you could ever know.”

Wanda shuts her eyes, letting your reassurance wash over her. Nothing lasts forever, but perhaps this could be an exception.

[dragonfly0808]

About the Dragon Prince Finale

I just finished s7 of the Dragon Prince and i have so many thoughts but there is one thing specifically I want to say about the finale that I feel was just such a perfect way to end the battle, before I hop on and check out what everyone thought-

SPOILERS AHEAD

I’ll be honest, I was so stressed out at the end of ep8 and watching the final battle in ep9 was epic but-

My very first thoughts watching that were initially along the lines of- so… none of our main characters had the final say/final move? What the fuck?

But then I watched the rest of the episode and sat on it for a bit and… it makes perfect sense and wraps up the themes of the show in a beautiful way

The whole theme of the show and one of the most important ongoing things is that of breaking cycles of violence and choosing love, choosing kindness.

During that final battle, all our main characters were ready and willing to give it all to save the world, which is technically speaking the ‘right thing’ to do, the thing we’ve all been waiting for

however; this involved for all three of them, giving up an essential part of themselves. An essential part of ‘breaking the cycles’

Callum would’ve given up on ‘breaking the cycle’ in using dark magic and in sacrificing himself for the greater good. Yeah sure, he’s writing his own destiny, but is he really when it was his only real choice if he wanted to save those he loved?

Rayla would’ve given up on ‘breaking the cycle’ in following in the footsteps of past moonshadow assassins, choosing duty over love in being willing to kill her heart ‘my heart for Xadia’ when she just said episodes before ‘no one should have to shed blood for justice’

And my personal favorite, Ezran. The entire show, from the moment he became king, that kid has given himself wholly to the path of love and kindness, trying to not fall into the mistakes of the past. And yet- he was willing to kill for his brother, to do something that goes against everything he represents, everything he stands for.

^ All of that, in the name of peace, to save the world.

No matter what, each of them would’ve lost an essential part of themselves in choosing to save the world…

But they didn’t have to.

Because the arch dragons- some of the very creatures that BEGAN these cycles of violence and mistakes and hatred… the creatures that had a role in CREATING the world our main characters are trying to make a better place- they are the ones that chose to step in, to sacrifice themselves to make sure these kids with bright hearts and so much love and determination to choose a path of kindness don’t have to sacrifice those parts of themselves.

Like Ezran says, it’s a great gift that the arch-dragons give them. The opportunity to stay true to themselves and still get to stop Aaravos… even if it’s temporary.

So yeah, the moment I watched it for a moment I was like- that was a little anticlimactic but it makes so much fucking sense and it is such a beautiful way to end the series when you stop to think about it.

and I’m choosing to believe that we will get the other 3 seasons NETFLIX GIVE US THE FUCKING SAGA (I haven’t actually checked if anything has been announced yet cause I’m scared) and that that’s when- after 7 years of growth, our main characters get to step in and find a different way to stop Aaravos for good THEIR WAY, without compromising who they are and what they stand for

So yeah, I just had to get that out of my chest cause it took me a minute of silence to realize why it’s so perfect for the show and the genius in this move and i really wanted to share that little brain worm

I LOVED season 7 and I can’t wait to rewatch the whole thing and I truly hope we get the rest of the saga!

[soap-is-an-artist]

Going back to Monstrous Regiment post-egg-cracking has been so amazing. The first time I read it, I didn't understand everything, but I had this nagging feeling that if I reread it later, it would make more sense. And now it does.

For one thing, the way that Nuggan's Abominations are treated really hit hard. In the beginning, things were well-intentioned, and maybe not so bad, but they became corrupted by a fear of change and a fear of what is Other. Nugganism became a stricter, more brutal, and senseless religion. It didn't provide hope, and it didn't provide a standard for living. The only thing it could do was cause suffering and give an excuse to inflict pain on others. The Girls' Working School perpetuated a cycle of horrific abuse against young girls who had committed no crime except disobeying the meaningless babblings of a dead god. It didn't solve any problems or act as a positive force in the community. All around, the institution of religion failed.

Speaking of the Girl's Working School, I can't recall if I picked up on Tonker and Lofty/Magda and Tilda being a couple the first time around, but I sure did this time. It was magnificent. However, I do remember that it absolutely shattered my heart when Tonker finally snapped and went on her tirade about the School and how it broke everyone that was forced into it. They were all beaten and abused in other ways; Lofty was raped and after she carried the baby to term, it was taken and never seen again; Tonker is missing her "middle gears"; Wazzer fell into religious mania [although in her case, the spirit actually was speaking to her] and turned to doors inside her head. The whole thing is fucking heartbreaking.

While the situation of the main characters can be interpreted as a trans allegory, I think it's a little more accurate to say that they were crossdressing and socially transitioned for safety. For one thing, when given the choice, they chose to live openly as women rather than continuing to present as men, although some of them kept some aspects of masculinity in their presentation. However, I think the case of the higher ranking officers is really interesting. Essentially, Sargeant Jackrum goes and deadnames all of them to get them to see sense and let the titular regiment choose whether to be open about their identities. [I know personally I would be raging mad if I were in that situation. I was successfully living as a man for years, and then the guy who covered for me just drops my old identity in front of a bunch of my peers who I never wanted to share this with? I would be mad.] In the end, it got the job done, but they make the comment that they could never return to wearing dresses. I think it's possible that they ended up actually identifying as men, rather than solely presenting as them. They definitely internalized a lot of military misogyny either way. Obviously that's not a positive or universal facet of transitioning, but it is a very real phenomenon that happens. And the misogyny can be internalized whether you're trans or cis. Regardless, the idea of living as essentially a new person and leaving your old self behind is very trans, in my opinion, or at least resonates with my experience.

The way all the members of the regiment were gradually discovered to be women was a very "Oh! You're...? Me too." moment for me. We really do just kind of find each other. When you know what to look for, it's easier to see who else is like you. They became their own tiny, close-knit community, and supported each other, although they all had their own goals and priorities. And I think that's lovely.

I have more thoughts on this [so many thoughts about the depiction of nationalism and war. Like that line about "the dead are not your masters"? Loved that], but that's all I'm gonna type out for now because my fingers are tired. But now it is here for future me to read back on, because I didn't keep any written records of my thoughts when I read Monstrous Regiment the first time, so it's basically just fuzzy memories and vague feelings that I'm trying to hold onto. It's a really good book, probably one of my favorites of the Discworld series, although it doesn't top Thud! for me.

[affogato-analysis]

Caitlyn as a symptom of Piltover’s violence

No because i need to throw hands with both her haters and lovers.

Mass spoilers for Arcane, season 1 & 2, for every characters.

(post is like 2k words)

(small edit it's been five hours and you guys are so kind and positive?? i love you so much, the conversations are so fun! the reblogs i see u and ily, my ego is soaring! i got more arcane rants coming if u wanna tag along idk lmao)

(thanks a lot is all i mean to say)

Was what Caitlyn did in season 2 act 1 terrible? yes. Does that make her a terrible person? debatable. Is she the best girl ever and above any criticism? also no what the fuck.

What happens to Caitlyn, essentially, is that she loses her mother and burns for justice and vengeance, and is willing to do all she can to reach her goal. Which is not an uncommon arc in Arcane, to be willing to burn it all for your family and getting overwhelmed by anger and loss.

The main difference is the scale and power dynamics. Because the chembarons have their shimmer, Vi has her gauntlets, Powder and Jinx have bombs, Silco and Vander have allies but they quite match each other when it comes to power until the very end.

So why is Caitlyn’s case so apart from the others? Here’s the thesis: Caitlyn is a symptom and the harm she causes is a consequence of Piltover’s domination over Zaun. I will argue for it thank you.

The main characteristic of Caitlyn, in the context of Piltover leading a targeted assault on Zaun, is that she is the one with power. Caitlyn is, first and foremost, a Kiramman. The show’s explicit about the power of the name, because with the name comes respectability, status, wealth. The Kiramman family is a powerful one, that’s why Ambessa chooses her above Salo. Both Cait and Salo have enough hatred for the Undercity to follow her lead if she plays her cards right, but Caitlyn, even if not officially appointed, has the power to exist in the Council’s room. Salo is nothing beyond the Council — and while it gives him power, his own family or personal entreprises are irrelevant enough that we do not know of them — while Caitlyn is powerful even without the Council — she does bypass every standard enforcers recruitment procedures to get Vi in, and thus we are told that she is one of the most important if not the main funder of the enforcers. In a state holding its peace through sheer violence and constant repression (especially after Jinx’s rocket), if one private actor owns your police force, you are at that actor’s mercy (which, yes, does turn on Cait when Ambessa’s soldiers take over).

Most importantly for us, the Kiramman hold one monopoly of power over Zaun. A vital need of Zaun they are the only ones to answer. Yes, we’re talking about the vent system. Caitlyn, in her anger and in her determination to do whatever it takes to get to Jinx, is willing to use every power she has. That includes her rifle and her aim, when she takes the shot at Jinx despite Isha and Vi standing in between, but also the vent system.

And as we’ve said, Caitlyn is going through a fairly usual character arc in Arcane of becoming a monster for love, for family, only to be brought back by love and family (Vander i’m looking at you) (and then that culminated into nothing to serve Viktor’s character arc tihi) (i mean it when i say Caitlyn has an amazing arc). It just so happens that Caitlyn owns Zaunites’ right to breathe. Is it immoral to weaponize it? Absolutely, and we can deplore the lack of political repercussions on the Kiramman in the show but that’s a more general criticism: the audience and the Zaunites are expected to just forgive Piltover to ally against Noxus. We can have sincere grievances about that (i do, and a lot of caitlyn hate comes from there from what i’ve seen) but it’s not a Caitlyn exclusive problem.

The thing is, Caitlyn’s weaponizing of the vent system isn’t the root of Piltover’s oppression or of enforcers’ violence. It’s a symptom of this violence. Cait can weaponize the vents because she owns them, because Zaun’s clean air is her possession. Because Zaun’s vital needs are dependent on Piltover. Cait doesn’t even realize just how much she’s hurting Zaun. She knows she’s gassing them but, and to her credit, it’s a fairly targeted assault (what Cait is doing isn’t terrorism!) but she is a reminder that whatever little fresh air they have, it’s still a mercy from Piltover. Piltover engineers a problem and a solution and holds that solution above Zaun’s head to silence their protest. This is domination, this is the root of that vent system being oppression still: the Kiramman hold Zaun’s air hostage and it took two mourning girls for that hand to cut off the air flow.

Caitlyn makes herself an enforcer of that violence in her grief, and that’s the symptom of a deeply ingrained disease. The root of that disease is always, always the inequalities between Piltover and Zaun.

The violence is the symptom of a system that is critically failing, repression means your governing body is illegitimate, weaponizing clean air is oppression to its finest.

To argue this point a bit further, we’re gonna circle back to Silco and Vander and how their power dynamic influences their behaviors and how their power struggle drives the entire undercity.

Vander and Silco both benefit from powerful allies. Vander has Grayson, Benzo and his position as bartender of the Last Drop makes him a valued member of the Undercity for Zaunites. Silco has Singed, Sevika and an entire network himself. They are two pillars of Zaun, creating a status quo that they work to maintain (at least their own position of domination) while furthering their own goals: Vander wants to raise his kids, Silco wants the independence of Zaun. Two vastly different sets of goals admittedly and that’s what leads them to reach out to vastly different individuals to help maintain it. Vander seeks out Grayson with whom he strikes a deal, while Silco allies with Singed for shimmer.

And when power suddenly shifts, when the right conditions appear, when the status quo is shaken, that’s when Silco asserts his power over Vander and his domination over the Undercity. Vander is put in a vulnerable position (his deal with Grayson isn’t enough anymore and he’s arrested) and Silco seizes the opportunity, deploys a power he has a monopoly over (shimmer). And after Silco wins against Vander, he can deploy his power over all of Zaun.

The status quo between Piltover and Zaun is constantly imbalanced. Piltover has already won at the beginning of the show and has been asserting, over and over again, through violence and in an abusive fashion, its domination on the Undercity. Caitlyn is like Silco in that comparison, she uses a power over which she has a monopoly (vent instead shimmer), in an unbalanced situation that puts her in the situation of the oppressor.

(And facing her, there is someone who is willing to turn that power against her. Just like Vander using Shimmer to protect his children, Sevika and Jinx using the vents for their own colorful clouds.)

Cait isn’t a poor innocent victim of circumstances but you have to acknowledge context and, in a show where parallels are so frequent, you can’t pretend she’s a completely unique character going through a completely unique arc completely unrelated to anyone else. If you hate her, hate a lot of other people too!

And, as is typical in Arcane, characters are monsters for love, and brought back by love.

And Caitlyn’s arc shows that! Past arc 1, she was lost. Vi had left, Jayce was missing, her mother was still dead even if after all she did, her father was a shadow of himself, the only one she had was Ambessa who was fueling her vendetta to further her own colonialist agenda. Suddenly she was alone, serving as a puppet on top of a pile of gold and too much power she couldn’t control. She can’t call back the gas once it’s out after all, she can’t call back the martial law Ambessa installed now that the resentment is growing in Zaun and that Ambessa is the one holding the reins of enforcers.

That’s why her switching sides was so immediate: when Vi calls her cupcake, she brings the girl forth, before the monster. She gives her love and Cait latches onto it, and uses it to pull herself away from that trap she walked right in. “Why does anyone commit acts others deem unspeakable? For love” & “Is there anything as undoing as a daughter?”: love is forever the way in and out of hate.

I am very disappointed that we never got a proper conclusion to the tensions between Zaun and Piltover. I wish we had witnessed negotiations between Ekko/Sevika/Jinx/a representative of Zaun and the Council, I wish they had gotten control of the vent system, promises of fair trade, independence, something. I wish Caitlyn had been made to apologize and deliver herself the keys to the vent system to Zaunites. I wish for a lot of things about the political resolution in season 2 and the show did not go how i wanted it to. Does deviating from what I wanted inherently make the show bad? No, although I do think it wasn’t the greatest this time around.

I however can not talk shit about the character arcs. Not all are as well crafted as Caitlyn but i will take no more Caitlyn slander on the basis of “she’s a fascist!”. 1- that’s not what fascism is, although she did walk a line close by; 2- she’s a symptom of oppression, and by reproducing she makes herself an agent of it. She weaponises Zaun’s air because she can because she’s in power because she’s the heiress to the Kiramman. Doesn’t make what she’s doing less harmful, but it has to be treated in context. Caitlyn is still a twenty something grieving girl with her entire world shaken up, she just so happens to also be the heiress to an extremely wealthy and powerful family in an oppressive system and every path that opens to her, in the midst of her hatred, brings her to reproduce that domination in the most efficient way she has access to: the vents and the enforcers.

And, yes, by reproducing domination she is also an engineer of it. It’s important to acknowledge that what she's done is bad to put it simply, but do not denature her character to fit a conception of her that is easy to hate. I will put part of the blame on internalized misogyny too, as it pushes us to have less leniency and tolerance for women’s mistakes. No because I haven’t seen half that much hate towards Silco who, reminder, made the Undercity kneel by giving them severe shimmer addiction (engineering an issue and making himself the sole owner of the solution while maintaining it as a form of domination, everyone see where i’m going with this?).

Again, do I wish we’d seen more of the political consequences on Caitlyn of that? Yep, absolutely. But I will not blindly hate on her while ignoring the global context of her actions and I invite you to do the same.

Tell me, do you hate Jinx for her so-called terrorist acts or do you see them as part of resistance against Piltover? You can not see the context when you like it only i’m afraid, and, in an unprecedented show of nuance for the internet, we can understand context and acknowledge moral complexity and still hate someone.

Hate Caitlyn if you want, but do it in a constructed way so we can argue together please! I need to talk about this show so badly, please hate the enforcers and the change in Cait’s character but do so in a well-argued fashion, i beg of you.

[genericpuff]

Looking back on it, Rachel really should have called Lore Olympus something else. It really doesn't seem to want to focus on 'lore' or 'olympus' and would rather be a romance with her self insert and celebrity crush. So many plot points and characters got thrown away for her two characters. It reminds me of Twilight having interesting background characters (Rosalie deserved better) and an interesting supernatural world. Yet Stephanie just focused on the dry ass romance of Edward and Bella.

I mean, the title totally worked in the beginning, the comic just lost the plot after its first season and became more like what you're describing, a weird May December romance about a girl who's only empowered enough to wait until marriage with the first guy she ever crushed on before having sex 💀

And yeah true that, a lot of fantasy dark romances like Twilight suffer from the issue of getting too hyperfocused on the main couple doing stuff and not paying enough attention to the actually interesting stuff going on around them. Though I will say, in Twilight's case, a lot of the "interesting stuff" was grossly misrepresented from Indigenous tribes and beliefs so... maybe it's for the best Stephanie didn't expand too much on it all in the end LMAO

Of course, the same can be said for LO, there were some really interesting plot hooks happening around H x P, but by the time S2 rolled around, all of those hooks got shoved under the bed until it was time to hastily wrap them up for those of us who were waiting to see them resolved. I think the Hera and Echo plotline was one of the worst culprits for that, you can tell in S2 she had an idea for some kind of "double agent" story with Echo where Echo would slowly come around to Hera's side and have to choose between her and the job Zeus clearly hired her for (to spy on Hera) - but then it just wound up skipping all that so we could watch Hades and Persephone play golf with diamonds, go shopping, and fuck around in the Underworld, until Rachel had to suddenly wrap up the entire Hera x Echo story in the most rushed, confusing way possible just a handful of episodes before the end.

LO had a lot of interesting concepts and ideas especially with the added benefit of it being based off myths that many readers were already familiar with, but unfortunately they were in the hands of a terrible writer working for a terrible company that didn't provide her with the resources she needed and could have really benefited from to tell a better story. It clearly needed a more involved editing process, more drafts to work through and scrap and work through again, more time to really plan out the full skeleton of the story, but what we got instead was more like a rushed first draft that spent more time on the bland uninteresting DDLG couple because they were clearly the easiest things Rachel could write about - fantasy shipping scenarios of them talking romantically to each other, making out, and having sex, boom, plot 🥴

[constantfragmentation]

HI FELLOW SILCO ENJOYER

What are your thoughts on the polycule theory of felicia-silco-vander? 👀

Whew... where to begin?

Fair warning, this is going to be a long assessment.

First off, I firmly believe (unless S2 Act 3 makes me eat my words), that the writers didn't realize Silco and Vander would become such popular characters. I don't think that was the plan. They were side characters meant to beef up the main stars Jinx and Vi. Rightly so. They were devised as parallels for Vi and Jinx throughout the story. And it was beautiful.

S1 was filled with little details that enhanced every part of the plot and character development through each act.

However, if S/V were so important, more care would have been put into their backstories, which have been kept pretty vague. And these so-called continuity mistakes/plotholes seem pretty big for a studio that has been meticulous in the details all through S1.

We meet Vander, who changes his life after seeing the kids lose their parents and adopts them. Vander is seen as the builder and leader of the Underground, and he seems to lead with the threat of who he used to be (until Sevika calls his ass out).

Silco is introduced as the mean baddie immediately via Vander/Benzo's conversation in E1.

"There's worse things than Enforcers out there. We both know that."

Then his full intro including an underground evil lair and mad scientist at the end of E1.

E2 leans into the same MO for Silco. Until finally coming to the best episode (IMO) in all of S1 and it's E3, where things come to light. But he's still evil, vicious and spares no one. Silco appears to have zero empathy and is filled with a deep seeded hate.

"Silco?! You animal! Go crawl back into whatever hole you came out of!"

S1E1-3 Silco completely paints him as terrible from the Underground's perspective. Silco - bad. Vander - good. Both Vander and Benzo see Silco as a dangerous threat. So does the rest of the Underground feel the same? Do they know about what happened to Silco by Vander's hands? Sevika chooses him because she lost faith in Vander as a leader.

So, that makes me wonder if Silco WAS the brains behind everything from their smuggling business and building up the Underground to the rebellion. Vander on his own, seemingly, isn't shit. He is the muscle. WIthout the brains, he doesn't haven much in planning so he turns to making a deal with Enforcers instead.

By S1E3, we start to see beyond the veil a bit. Vander tried to drown and murder Silco. Let's remember one thing. Vander didn't just try to shoot Silco or they got into a fist fight and things got out of hand.

He tried to DROWN him. There's no way Silco went with Vander to the river fearing his life. Now, whether they went to talk in private and it got heated, you still have to sit back and look at Young!Vander and think wtf?

He is painted the good guy from the beginning. A man with restraint and compassion, looking out for everyone and especially his 'kids'.

It takes will and strength to smother/drown a person. It is NOT a quick death, it's a slow and painful death. Vander's intent was to kill him. Not once, did Vander think in the minutes holding Silco underwater that damn, this is wrong or overkill? You don't flippantly say "I'll never forgive myself" for trying to murder you slowly. Now beating the shit out of him and ruining his eye, yeah, that would make more sense from Vander, knowing he probably turned Silco into this worse person and fucked up his face, vision forever.

The viewer is left to assume it was something so fucking bad, Vander had to kill to stop it. Plus, Silco is already painted as the bad guy, so we presume Vander was right in trying to kill him?

So, what was so bad that this course of action was required? Well, it's pretty damn vague. In all of E3, Felicia isn't mentioned or hinted at ONCE. Not once. If Vander tried to kill Silco because of her, why do we not learn about any of it?? That seems like a pretty important fact, yes? This is Vi/Jinx's mom and she was a close friend? I'd say that's important.

Nope. Silco drags Vander to his lair and waxes on about fighting Piltover and finally realizing his dream of a free Zaun by any means.

Vander tells Silco he's never forgiven himself for trying to kill him, but nothing else is added to it? We're left to believe that Silco was either too powerful and influential in Zaun or that he orchestrated the bridge fight (that Vander was still fighting until the kids arrive and they see their dead parents).

This grey area is why the fandom has spent years trying to decipher what was so bad that it tore two brothers apart with attempted murder.

We learn in S2, Vander apparently "looked everywhere" for Silco and then wrote him a letter in a mine, hoping Silco might come across it. Well, if your brother tried to murder you, I'd say you would stay far away from him and not venture to old places in case he might try it again? Sounds reasonable, yes?

So Vander just gave up trying to talk to Silco and explain everything for YEARS? By S1E1 he and Benzo know about Silco and probably know where he is and that he's up to no good obviously. So why haven't they talked once in years?

Vander said he was in a rage over Felicia's death. But I'm sorry, none of that makes much sense and frankly takes the fire out of what created the fracture between two friends.

I would have preferred Riot not explain than give us a half-assed backstory of three happy-go-lucky buddies and the death of one is the backbone of hate, distrust and betrayal.

Again, Silco said Vander BETRAYED him. If they were arguing about Felicia and her partner dying, leaving kids orphaned, I don't call that betrayal. Vander's letter sounds like an argument that got out of hand. You don't just accidentally drown your best friend for the greater good because your other friend died in a fight ALL of you were fighting. You knew people would get hurt and/or die. It's reality.

It just doesn't FIT. It doesn't fit these characters at all in the narrative from S1.

Another reason I believe Riot never intended to go further with Silco and Vander's backstory is in the animation. Like I said above, S1 was littered with little and amazing details that we, as the viewer, have been analyzing for years.

The drowning was a VERY young Silco and Vander. Vander clearly has a beard and looks much older on the bridge in E1. The flashback in E3 looks like it was 10 years earlier at LEAST. That would be around the time Vi was born or a toddler if we're estimating her age by S1E1 on the bridge.

Vander beat the shit out of him and then decided to kill him by drowning. THAT is a major choice to make. That is a vicious choice. So we do see Vander as being more violent in his youth. So if the drowning came AFTER the bridge, that also doesn't quite fit either. He takes the kids and chooses pacifism, yet soon after, he's murdering his best friend. AND he suddenly shaved and grew younger, because he wanted to look clean and pretty before killing his bestie?

Zero continuity here. Bad writing. If there was mistake due to animation, they should have changed the backstory to fit than ramrod something else that looks badly done and makes zero sense to your audience.

Personally, I wish the drowning was PRIOR to the bridge battle.

It would make more sense if Vander was having second thoughts while planning the bridge fight. Maybe a separate attack went wrong and he realized they were going to lose and many would die. Silco, maybe having more influence or threatening to show Vander as a coward to the people is what finally triggers Vander to kill him. In order to stop this, Silco needs to die and then maybe Vander can convince others the fight is already lost against a superior firepower.

To kill Silco in that manner, signals to me, Silco was a great threat. Which means to me, Vander either felt he was a threat to him (since Vander does become the power in the Underground - the Hound) or he is beginning to feel like this fight is pointless and will change nothing. People will die for nothing.

Making it all about Felicia, just takes the fire out of rift between these two men all these years.

Again, she's never mentioned.

Silco even reflects in S1E3 that he still respected Vander after the drowning until he learned Vander was working with Enforcers and basically made a deal with Topside to keep the peace. That continues his pathway as a rebel and he's going to take down Vander with it or use him "what you really are".

Silco knows how violent Vander was and he's going to use it with Shimmer.

If we go by S2 timeline, then both Silco and Vander would know Felicia's kids well before the bridge battle. in S1, Silco would know who Vi is, at least and be aware of Powder. He would know this by S1E3 when he says "Have you heard the rumour? Vander the coward fled town with his children and were never seen again."

Pretty callous talking about his other bestie's kids like that. Damn. If Silco cared for her, then wouldn't he spare her kids? I just don't see this was ever about Felicia. It doesn't fit. He really didn't flinch in having Vi or any of the kids killed. HER kids? I'm having a hard time with that one.

I've said before that in Silco's eyes, Vi is an extension of Vander. When he finds Powder and she cuts off Vi as her sister, Jinx becomes an extension of himself, thus HIS daughter. It's like Silco's last "fuck you" to Vander by taking Felicia's other daughter as his own.

Overall, I hope to hell it's not some love triangle. Or either man was in love or had a crush on her.

I read some fans saying since the flashbacks are Vander's in S2, we're seeing things from his perspective. I'm all for an unreliable narrator with characters because it keeps things open for interpretation.

But we would need to see this from Silco's perspective, too—not just the drowning/betrayal. Silco sees this as a major factor in the direction his character takes. It's a life-changing moment for him.

We also don't see any flashbacks to the years Silco took care of Jinx after Vander's death. If he knew Jinx's mom, wouldn't that come up? Wouldn't that be something Jinx would remember and influence her?

In S2, she reminisces a few memories of her mom like nothing has happened since. She and Vi act like nothing really happened between them. By the end of S1, the sisters diverge when Jinx decides who she will be. It's Jinx, not Powder. She knows Silco loved her and, more importantly, accepted her for who she was. She was perfect in his eyes.

Plus, Vander's trio flashback seems odd in both animation and backstory choices. Silco looks VERY different than his flashback of the drowning. His hair is much longer (man bun), he has a widow's peak he doesn't have later (weird). He appears to care for Felicia and happy for her being a mom. They made him more physically attractive and older than the flashback in S1E3.

Vander doesn't look like the younger version in Silco's drowning flashback. He looks older too. Animation choices were made that don't match the continuity of the previous season.

We're assuming their smuggling business is doing well if Felicia talks about the Underground being much better for everyone. Are we still giving Vander full credit for that? S1 implies Vander built the Underground both from Grayson and Zaunites.

Silco jokes he is "Bozo #1". To me, he is joking but not in saying he's the mastermind in this duo. Without him, Vander's just a brute.

I'm not sure of Vi's age by S1E1, but maybe she's 10 or 12? So prior to the battle unless a fallout happened with Vander and Silco, why don't we see Silco with the kids? Why do the kids act like they don't know him? If they were such a tight trio with Felicia, why only Vander with the kids?

He fought at the bridge knowing Felicia had two young kids that could be orphaned and was still fighting when the kids showed up. He already knew Felicia was dead but was still fighting.

If her death was too much, why didn't he stop then? The kids appreance stopped him. Okay. I get that. But we don't see Silco anywhere on that bridge, does he know she dead? Is he still fighting? Where is he?

This whole polycule feels like they had to throw it in somewhere but didn't adequately explain it to match the motivations of the characters we have known and studied. It opens more plothole questions than it answers. It creates more problems that did not need to be there.

If Felicia wasn't that important to expand on last season, why do it now and do it poorly that contradicts characterizations already laid down in the whole previous season?

I'll say it again and again: Riot did not plan for it. They didn't think Vander and especially Silco would be so popular, and fans would demand to know more about them.

Plus, another thing that kind of bugged me:

When Vi is embracing Warwick/Vander and tells Jinx "He's your dad too."

Yeah, it's a nice moment, but it's a shit on Silco too. Technically, didn't JInx have more years with Silco than Vander? She saw Silco as her father (although not the best), accepted her, encouraged her skills, gave her important jobs, wouldn't give her up and called her perfect in his dying words.

I guess fuck that dad, right? He is evil dad and now he's dead, doesn't matter anymore.

Did anyone else feel like Jinx turned back into Powder this season? The kicker in S1, is that she CHOSE to be Jinx. IDK. The sisters were real quick to hook back up after everything.

As I've said before, they needed maybe three seasons if they were going this route. No character is getting enough time this season for good story-telling and character development. Too much is getting crammed in one season and it's sad because there is SO much story to work with.

I, for one, would watch another season of these characters. You could take time to explain the Black Rose and Mel's story. Ekko has nothing this season. Jayce doesn't have much. There's very little explaining and too many new questions that won't get answered in one season.

Vi became an Enforcer for half a second. Granted Caitvi only knew each other for maybe a week so for their 'relationship' to fall apart doesn't surprise me. But Cait bouncing back and forth. Jinx bouncing back immediately after Silco's death doesn't make sense since he wasn't the cause of her mental illness.

"Silco didn't create Jinx. You did."

Sister's bond quickly like nothing happened between them. Sevika is suddenly on Jinx's side with little work considering they disliked each so much.

Intro of a new character, Isha.

Viktor turns into Jesus and hangs out in the Big Bang with Sky. I was waiting for Machine Herald and got Jesus Herald.

Ambessa could have a better story but again, I think they needed at least one more season to flesh everything out. It's all too fast and packing way too much into one season of plot for so many characters. The sister's reunion is too fast. We don't get enough info on Warwick yet.

I hope, but they can't tie all this up in three more episodes.

Sorry for the mental vomit, but I've been thinking about this all week, and now it's out like verbal diarrhea. Even though I've enjoyed this season, I can't help but feel disappointed. S1 was so much better.

[profoundmakerdreamerss-blog]

Tomarry au — arrange marriage but with a twist.

Harry Potter wakes up in the body of a villain. A character in an otome game that his goddaughter liked to play. He, being the only one without any kids of his own — always volunteered to take care of her whenever Ron and Hermione finally got some free time together. Thus, they remained really close for years. Even after she grew up she stayed in contact with Harry. And so he knew all about her new obsession.

It was a game where the main character got to choose from six different male leads. They all had their own storyline and apparently it was really popular. It was a story about how this mc, who is a powerful witch — end up winning the heart of the male lead while winning over the kingdom. Because common blood witches/wizards are rare and mostly scorned upon due to not having pure bloodline. And Rose wouldn't stop talking about how interesting it was.

Harry's goddaughter liked everything about the story except one character.

He was the most popular yet the most controversial character; the mad emperor called Voldemort. And there was a reason why he was so popular yet so damned controversial. And no — it was not because of his penchant to torture or order an execution in the bat if an eye. Nope, apparently hot, evil characters tend to be popular anyway, but it mostly was because how no one was able to win his route. Ever.

Voldemort's, or better known as the mad king's — is a route no one ever won. So many people tried, and even begged asked the game developers to give them a hintof how to win his route but apparently they didn't budge and stayed tight lipped about Voldemort's route. Everyone tend to die on his route no matter the choices, no matter what actions you took and no matter how different it was from the last choice. Your character would. just. keep. dying.

But there was one thing that remained common in all of Voldemort's storylines. And it was the main villain. Voldemort's husband. Even when you aren't playing the main game; Voldemort's husband is always trying to make your life hell. So, everytime you win a routine the husband dies a horrible death. Mostly executed by Voldemort himself.

In Voldemort's own route, however — it was different. And how different Harry never got to ask his goddaughter because now he was fucking dead.

And now, here he is. Stuck. In. The. Body. Of. The. Main. Villain. Of. A. game he doesn't even know the name of, for fuck's sake.

Yes, this is a story about how Harry dies and wakes up in the body of a villain who is set up for an arrange marriage with a king who is apparently so hard to win over that even the most likable persons, the main fucking character even — is not able to win him over. So how would, Harry in the body of Harry Evans (they even share the same damn first name, what the fuck.) would win over the husband who's job is to basically kill him after every happy ending? Harry doesn't know.

Cue to Harry doing everything to not die in the hands of Voldemort while trying to figure out how to befriend the mc so he doesn't die due to natural disaster through karma for looking at fate's darling (mc) the wrong way. Also, cue to Harry derailing the plot so hard that the title of the story changes after he is done.

[milomilesmib]

✨PJO/HOO characters playing Stardew Valley in no particular order✨

Leo: it's a miracle his game doesn't crash with how many mods he's put in. He has several completed saves, all on different farms with different spouses. If anyone needs tips on the game, they go to him because they just know he has it all memorized.

Nico: he has a shared save with Will. He avoids the mines and the desert casino at all costs. He's mainly here for the cutscenes, Krobus, and the junimos.

Will: he does all the mining for Nico. He enjoys the grind and he relates heavily to Harvey. Him and Nico argue about whether to get a dog or a cat on the farm.

Percy: I don't think even he knows what he's doing. He didn't know he needed to water his crops, he gifts people random things without meaning to, and he put sap in the luau pot because he forgot to bring an actual ingredient. BUT, he knows every way to piss off Lewis and he takes every opportunity he can to do so.

Annabeth: she plans her farm perfectly and beautifully. She stays in the mines until 1 a.m., she ignores every villager but Linus, and she gets to level 100 of the Skull Cavern within a week of unlocking it.

Piper: I bet she's absolutely in love with Emily. Her main goal is to save her from Clint, and she probably marries Emily on Clint's birthday to REALLY break his heart. Also she probably mastered combat before any other skill.

Frank and Hazel: doing them together because they're a perfect team. They have a shared save and they accidentally speed run the game. Within the first two years, they're married, they've completed the museum, they've finished the community centre and the movie theatre, they've unlocked ginger island, and they're best friends with all the townsfolk. They don't know how they did it, it just happened.

Jason: he does the joja route just for shits and giggles, then gets really sad about it and starts a new save where he does the community centre route and marries Penny.

Reyna: she plays surprisingly normally. Nice and slow moving, not doing anything terribly dramatic, just hanging out and growing her farm. She really likes the casual gameplay.

Grover: he just watches other people play. He feels like he wouldn't enjoy it, but he looks things up on the wiki for his friends while they're playing. He knows all the lore just from the wiki and watching others play.

Thalia: honestly she'd probably use the game to live out all the romance she didn't get to experience, just for fun. She'd date all the bachelorettes at once but end up rooming with Krobus because she couldn't bring herself to choose. She'd also loooove fucking with Lewis tbh

[raayllum]

like Callum made the right choice in 5x08 for his character and the thematic narrative. Thematically, Rayla cannot permanently die (she's too sacrificial) nor can she have a partner, honestly, who'd be willing to sacrifice her like that. Callum also cannot be willing to sacrifice her like that for the life of a stranger dragon he's never met, or not take the dark magic risk; not only is this how he's always clearly been ever since S1 ("But not everything [has changed]: I would do anything for you") but doing so would make him exactly like the worst of Viren: "If you have to choose between [the world] or your brother, pick the egg." Callum is having a dark path arc, but he's not having an antagonist or villain arc.

That said, there's a reason Callum is Chained Up when he gives the spell and locked in a damp dark brig and has to use the snake-chain spell specifically, because TDP loves its irony: what gets more ironic than freeing yourself from chains in order to free and save your girlfriend, when you know in doing so you're chaining yourself further and further to the main villain and his will in doing so? When you know that you would?

There's a reason 5x08 ends with Callum looking scared and sad and the shot of the snakes, because those aren't fun things (hi Ocean arcanum epiphany) to learn or fully accept about yourself. There's a reason that what characters justify with "I had no choice" or "this is the right thing to do" isn't always the literal case. "I had to, to save my friends" or you could've left it. You could've tried something else than dark magic. But you didn't, because you thought that was the one thing you could do in order to not lose your friend, so you did it; You Made Your Choice.

For example, if we're talking what happened in 5x08 in a "this would keep The World 100% safe" type of deal? Callum fucked up twice. He gave the spell and he didn't know Finnegrin would be dead or unable to use it by episode's end. He did dark magic — with no idea that it wouldn't let Aaravos automatically possess him in that moment — because a world where he didn't even try and save her was worse to him. But it was a risk! Both of those things were massive risks!

Just because they didn't amount to the extreme consequences they could have had, yet, doesn't mean that they won't, since soo much of TDP is just "this thing had unforeseen/unwanted consequences as a result of the choices you made" (the loss of Rayla's team, Harrow's death, Sarai's death, the possession at all, Karim's banishment, Zubeia's corruption, Claudia's 5 season long descent, and I'm sure going to the Starscraper next season, just to name a few quick examples off the top of my head). As Harrow says:

H: But I do know I will pay the price for the choices I've made. I've done terrible things. I thought they were necessary. Now I don't know.

Rayla thought she had to leave; she didn't. Rayla thought she had to find Viren, twice; that wasn't true. She chose to leave both times. She also chose to come back both times. She could've doubled down, but she didn't. Viren, finally, didn't.

Every step forward is a choice.

That's true for Every Single Character in the show.

To deny them that is to deny the agency they do have in the circumstances they find themselves in; Soren could've not stabbed his father, Terry could've chosen to tackle rather than stab Ibis, Viren could've chosen to grieve his son. That doesn't mean they didn't have good reasons to do the things they were doing, that doesn't mean their justifications weren't strong, that doesn't mean they were necessarily wrong to do so. But they made Choices.

So did Callum. And he chose what regrets, sacrifices, and losses he could live with, in order to save the person he decided he couldn't live without.

It's that simple, and that complicated.

[mylonelydreaming]

I take issue with this idea of Link just "fucking off" and leaving Zelda completely alone before totk. Not even in just a shipping sort of way either, as close friends and him choosing to remain her knight, that makes zero logical sense? It is completely out of character for him?

Link doesn't ever leave Zelda's side. This is canon. "Fucking off" is just not something he does during peace time when he isn't on a heroic quest and being controlled by the player's whims

That's five times it's stated officially somewhere that he is by her side, and that's only the ones I can immediately recall. Botw's full ending and totk's opening together also show us that. We see them together when the story ends and we see them together when it picks back up in the sequel. At no point is it implied they ever parted.

And can we just remember for a second what happens when he's not there, for even a short amount of time, if she is unable to call upon her abilities and therefore defend herself?:

"Fucking off" is a fantastic way to get her killed. The Yiga worship Ganon, there is nobody they want dead more (besides Link), than the last living member of the royal family. They are also not opposed at all to going into villages. They snuck into Kakariko to assassinate Dorian's wife. We just don't see that reflected in gameplay.

Some people will say "it's just his job" to deny they even have a friendship or growth as characters, but want him to... not do the main part of that? "It's just his job" and "he fucked off to the wilderness" are simply not compatible ideas. Either you think Link is just a completely duty-bound mindless command robot or you think he completely doesn't care anymore about that to the point of endangering the person he's supposed to protect. It can't be both at the same time.

Thankfully, it's implied by the wording of master works, the cutscenes and the jpn version that he wants to protect and support her. That this is what he desires, even when the king is dead and he is immediately given the option to not do so anymore. That he is motivated by wanting to see her happy and safe. I'm pretty sure the only way to get him to stop trying to protect her or following her is death, and he has already proven that twice over.

[oddeyes588]

So, Oshi no Ko's ending... (spoilers, obviously)

What a fucking mess. How did we get here? How did we get from starting with such a high peak of storytelling and drop all the way down to hell?

I'm going to preface this by saying... regardless of how awful the ending is, Oshi no Ko will always hold a place in my heart. Hell, one look at my screen name should let at least some people know that bad endings have never been able to rid me of whatever brainworms I've accumulated for a series, and it certainly won't start now.

(CW: SUICIDE MENTIONS)

A certain someone infecting me with Ai Hoshino brainworms is also part of why. For better or worse, my hyperfixation with Oshi no Ko is set to last for a long while yet, even after it's ending.

So where to start in talking about this ending... well, let's start with the biggest thing. This is single handedly the most mind-boggling, absurd ending I have ever read, for all of the worst reasons.

Oshi no Ko, as a whole, has never exactly been subtle about its messages. The cruelty of the idol industry, of the entertainment industry as a whole. The self-destructive nature of revenge. Finding reasons to live for yourself, finding your own happiness... happiness for oneself. It was heavy-handed with these messages, and it's important that it was. Aka Akasaka seemed like an author who would not shy away from writing these criticisms, who had their main messages down pat, even if at times things got... questionable.

(Just look at the side materials that we got for Oshi no Ko. Things like Viewpoint B. Everything, if nothing else, remained at least somewhat consistent to what the story was trying to convey).

And yet somehow, for reasons I cannot begin to understand... at the end of Oshi no Ko, Aka spat on every single message his work has ever had.

Aquamarine Hoshino, a traumatized boy who views his life as worthless, ready to give it up and sacrifice himself if it means succeeding in his revenge, who has said outright that that he intends to die after his revenge is over... is faced with a chance for a new beginning, a chance for love, given a chance to life a life of real, genuine happiness... faced with SO MANY people who love him and want him in their lives...! And he chooses to die anyways, taking his father with him to the ocean depths in a murder suicide, all so that his sister wouldn't have to live with the stigma of having a murderer for a brother. Something he does without hesitation, because everyone will move on from him eventually.

And Ruby... oh Ruby. Oh how they character assassinated you... faced with the crying face of her own mother in her reflection, she conveyed the truth... the truth that Ai was always just an ordinary girl, an ordinary girl who had her real self beaten down by the desires of people, turned into a perfect and pure commodity, all for the ugly desires of the people... who was then KILLED for failing to live up to those desires... what does Ruby do?

She choses to surpass her mother as an idol... because sure, Ai may not have been perfect, but she won't be like Ai! She'll be her own idol! An even better idol!

And so she does. She effectively becomes Ai 2.0. Ai without all of those complicated hidden feelings, Ai but she really is pure this time.

And in the wake of her brother's death... Ai but without any happiness of her own. Without any happiness outside of her singular, sole purpose. Having lost everything that she held dear, she now truly is the Perfect Idol, and nothing else. A monument of praise towards the Idol Industry.

...Everything this manga had been building up to. Building up to convincing Aqua that he deserves happiness... hell, Ai's one and only wish, for her babies to grow up healthy, for them to be happy. Building up to Ruby finding her own happiness, finding her own real reason to be an idol.

With an ending that Aka has confirmed is what he'd wanted the entire time... everything is flushed down the proverbial toilet, never to be seen again.

Aqua dies pointlessly and in a way that goes against every message we've ever had concerning living for yourself. Hikaru never had nearly enough screentime, let alone an arc, to justify being irredeemably evil and needing to be killed. Kana never gets to confess her feelings, Ruby's feelings go forever unaddressed, Akane serves fundamentally no purpose, Ai's wishes go almost completely unfulfilled, and Ruby becomes a shell of herself with being an idol now the only thing she has... and yet all of this is framed as a good ending.

The idea that this is in any way a good ending is... completely baffling to me. I cannot understand what is going through Aka Akasaka's head. Not only is this narratively the worst possible ending, but even the ending itself feels so hollow... rushed, as though none of it really meant anything, least of all Aqua's death. All but proving him right.

His death, his sacrifice, his suicide was worth it. Because despite how many people were hurt by his passing, in the end, they all moved on just like he expected.

(WHICH, LET ME JUST SAY, IS AN EXTREMELY POOR, RECKLESS, AND IRRESPONSIBLE MESSAGE TO BE WRITING ABOUT FUCKING SUICIDE. ESPECIALLY TO A COUNTRY LIKE JAPAN, WHERE SUICIDE RATES FOR YOUNG PEOPLE ARE PAINFULLY HIGH!! IT WAS ONLY WHAT, 20-SOMETHING CHAPTERS AGO WHERE YOU HAD THE LITERAL MANGAKAS IN THE STORY GO ON FOR A WHOLE CHAPTER ABOUT HOW THEIR WRITING HAS AN INFLUENCE ON PEOPLE'S LIVES, HOW THEY HAVE TO BE READY TO TAKE RESPONSIBILITY FOR WHAT THEY WRITE, AND YOU WROTE AN ENDING THAT GLORIFIES A CHARACTER'S SUICIDE!? SAYING THAT ITS OKAY HE DIED BECAUSE EVERYONE WAS STRONG AND EVENTUALLY GOT OVER IT!?? ARE YOU FUCKING KIDDING ME—)

Sighs...

Ultimately, in the end, this ending was an utter mess of an execution. Ideas that Aka was clearly too committed to, never once seeing how fucked it was, and never changing course.

And honestly? The fact that he wrote such good shit before this, wrote what I would even describe as masterpieces... only serves to make this ending hurt that much more.